वसन्त-प्रभावः तथा काम-उद्दीपन-वर्णनम् | Spring’s Influence and the Arousal of Kāma
तच्छिद्रं प्राप्य मदनः प्रथमं हर्षणेन तु । बाणेन हर्षयामास पार्श्वस्थं चन्द्रशेखरम्
tacchidraṃ prāpya madanaḥ prathamaṃ harṣaṇena tu | bāṇena harṣayāmāsa pārśvasthaṃ candraśekharam
ເມື່ອໄດ້ພົບຊ່ອງນັ້ນ ມະດະນະ (ກາມ) ໄດ້ຍິງລູກສອນແຫ່ງຄວາມຊື່ນບານກ່ອນ ເພື່ອປຸກຄວາມຍິນດີໃນ ຈັນທຣະເສຂະຣະ (ພຣະສິວະ) ຜູ້ຢືນຢູ່ໃກ້ຄຽງ.
Suta Goswami
Tattva Level: pasha
Shiva Form: Chandrashekhara
The verse highlights the contrast between worldly impulses (Kāma’s joy-producing arrow) and Śiva’s transcendence—teaching that liberation (mokṣa) comes from mastering desire and resting in devotion to Pati (Śiva), the Lord beyond agitation.
Chandrashekhara represents Saguna Śiva—compassionate and accessible—yet inwardly untouched. Linga-worship trains the devotee to see Śiva as the stable center (Pati) even when the mind is struck by sensory ‘arrows’ of attraction.
A practical takeaway is japa of the Pañcākṣarī mantra (Om Namaḥ Śivāya) with mindfulness when desire arises, supported by simple Shaiva disciplines like applying tripuṇḍra (bhasma) and cultivating vairāgya through daily Śiva-smaraṇa.