इन्द्रजितो यज्ञानुष्ठानं अन्तर्धानं च
Indrajit’s Rite and the Invisible Assault
जाज्वल्यमानोवपुषातपनीयपरिच्छदः ।मृगैश्चन्द्रार्धचन्द्रैश्च स रथस्समलङ्कृतः ।।।।
jājvalyamāno vapuṣā tapanīya-paricchadaḥ | mṛgaiś candrārdha-candraiś ca sa rathaḥ samalaṅkṛtaḥ ||6.80.13||
ລົດນັ້ນສ່ອງລຸກໂຊດດ້ວຍສະຫງ່າລາສີ ຄຸ້ມຄອງດ້ວຍເຄື່ອງປະດັບຄຳ ແລະຖືກປະດັບຢ່າງວິຈິດດ້ວຍຮູບກວາງ ພ້ອມຕາຣາພຣະຈັນ ແລະເຄິ່ງພຣະຈັນ
The chariot was glittering incarnated with gold covered with images offull moon, crescent moon inscriptions and decorated with images of antelopes.
The verse underscores appearance versus essence: splendor can mask harmful intent; Dharma calls for judging actions by truth, consequence, and righteousness rather than ornamentation.
A detailed visual description is given of Indrajit’s ornate chariot immediately before his concealed assault.
Royal magnificence and intimidation through display—an assertion of power through symbols and grandeur.