Shloka 66
Yayāti’s Ascent to Heaven
and Entry into Vaikuṇṭha
नानावृक्षैः समाकीर्णं वनैश्चंदनशोभितैः । सर्वकामफलै राजन्सर्वत्र समलंकृतम्
nānāvṛkṣaiḥ samākīrṇaṃ vanaiścaṃdanaśobhitaiḥ | sarvakāmaphalai rājansarvatra samalaṃkṛtam
ໂອ ພຣະຣາຊາ, ສະຖານນັ້ນເຕັມໄປດ້ວຍຕົ້ນໄມ້ນານາຊະນິດ; ປ່າພົງງາມດ້ວຍໄມ້ຈັນທະນາ, ແລະທົ່ວທຸກແຫ່ງຖືກປະດັບດ້ວຍໝາກໄມ້ທີ່ປະທານຜົນໃຫ້ສໍາເລັດທຸກຄວາມປາດຖະໜາ.
Unspecified narrator addressing a king (rājan)
Concept: A holy place is recognized by its auspicious natural order—beauty, fragrance, and fruitfulness mirror the inner merit of worship and the protective presence of Viṣṇu.
Application: Cultivate sacred ecology: plant trees, maintain temple gardens, offer fruits/flowers in worship; let one’s surroundings support sāttvika living.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: forest
Visual Art Cues: {"scene_description":"A vast sacred grove surrounds the city—towering trees heavy with ripe fruit, sandalwood trunks exuding fragrance, and winding paths strewn with fallen blossoms. A kingly figure listens as the narrator gestures across the landscape, where every branch seems to promise a boon yet remains serene and orderly.","primary_figures":["Narrator-sage (implied)","a king (rājan)","forest guardians/deer and birds (supporting figures)"],"setting":"Fragrant temple-groves with sandalwood stands, fruit orchards, flowering creepers, and distant temple spires peeking through foliage.","lighting_mood":"forest dappled","color_palette":["sandalwood tan","mango yellow","leaf green","copper brown","sky blue"],"tanjore_prompt":"Tanjore painting style: sacred grove encircling a Viṣṇu temple-city, gold leaf highlights on fruits and blossoms, richly patterned foliage, sandalwood trees rendered with ornate texture, a king and sage in jeweled attire at the foreground, traditional South Indian landscape framing with embossed gold borders.","pahari_prompt":"Pahari miniature style: lyrical woodland with delicate leaves and fruit clusters, cool greens and soft blues, a sage addressing a crowned listener, distant temple silhouette, gentle animals and birds, refined facial expressions and airy composition.","kerala_mural_prompt":"Kerala mural style: stylized grove with bold outlines, repeating leaf motifs, sandalwood trees emphasized, king and sage in profile, warm earthy pigments with green dominance, temple architecture simplified like mural panels.","pichwai_prompt":"Pichwai cloth painting style: a patterned orchard-mandala around a central Viṣṇu emblem, dense floral borders, repeated fruit motifs, deep blues and greens with gold accents, peacocks and lotuses as auspicious fillers, devotional landscape as textile geometry."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["birds in canopy","rustling leaves","distant temple bell","bees humming","soft flute-like breeze"]}
Sandhi Resolution Notes: वनैश्चंदनशोभितैः = वनैः + च + चन्दनशोभितैः; सरvakāmaphalai rājansarvatra = सर्वकामफलैः + राजन् + सर्वत्र (पदच्छेदः)।
FAQs
It describes an exceptionally lush region—dense with diverse trees, sandalwood-groves, and abundant fruits—portrayed as ornamented and auspicious in every direction.
It is a Purāṇic way of expressing extraordinary prosperity and sacred potency—suggesting that the place provides both material enjoyment and higher aims when approached with reverence.
The verse implicitly links harmony with nature and sanctity: a rightly praised or sacred space is depicted as orderly, beautiful, and life-supporting, encouraging respect for dharmic stewardship of such environments.