Shloka 27
Yayāti’s Ascent to Heaven
and Entry into Vaikuṇṭha
पूरुं पुत्रं महाराज स्वराज्ये परिषिच्य तम् । ऐंद्रं लोकं जगामाथ ययातिः पृथिवीपतिः
pūruṃ putraṃ mahārāja svarājye pariṣicya tam | aiṃdraṃ lokaṃ jagāmātha yayātiḥ pṛthivīpatiḥ
ໂອ ມະຫາຣາຊາ! ເມື່ອໄດ້ອະພິເສກພຣະໂອຣົດ ປູຣຸ ໃຫ້ຄອງອຳນາດໃນອານາຈັກຂອງພຣະອົງແລ້ວ ພຣະຍະຍາຕິ ຜູ້ເປັນເຈົ້າແຜ່ນດິນ ກໍໄດ້ໄປສູ່ໂລກຂອງພຣະອິນທຣ໌
Narrator (Purāṇic storyteller speaking to a king, addressed as 'mahārāja')
Concept: Responsible renunciation: establish rightful succession, then depart—showing detachment and dharmic closure of worldly duties.
Application: Complete obligations cleanly—handover, train successors, settle duties—then step back without clinging; cultivate devotion so transitions are peaceful.
Primary Rasa: shanta
Secondary Rasa: karuna
Type: celestial_realm
Visual Art Cues: {"scene_description":"Yayāti performs the solemn abhiṣeka of Pūru, pouring consecrated water as priests chant, while the court watches in hushed reverence. Then, with a calm gaze turned upward, Yayāti’s form seems to lighten, as if drawn toward a luminous celestial path leading to Indra’s city.","primary_figures":["King Yayāti","Prince Pūru","court priests","royal assembly","celestial attendants (subtle)"],"setting":"A palace coronation hall with ritual vessels and a throne; in the upper background, a glimpse of Svarga—cloud terraces and Indra’s jeweled city—appears like a vision.","lighting_mood":"divine radiance","color_palette":["royal purple","gold","cloud white","sky blue","ruby red"],"tanjore_prompt":"Tanjore painting style: coronation of Pūru with abhiṣeka in a richly ornamented hall; Yayāti in regal attire, priests with kalashas; gold leaf on throne, crowns, and architectural arches; above, a glowing vignette of Indra-loka with jeweled palaces; embossed ornaments and saturated jewel tones.","pahari_prompt":"Pahari miniature style: intimate court scene with refined gestures—water poured in abhiṣeka, delicate textiles, expressive yet restrained faces; soft clouds opening to reveal Indra’s realm; cool blues and gentle golds; lyrical composition emphasizing transition and calm renunciation.","kerala_mural_prompt":"Kerala mural style: stylized coronation tableau with bold outlines; ritual vessels prominent; Yayāti and Pūru in iconic poses; upper register shows Svarga with celestial figures; warm reds/yellows/greens with deep blue background, temple-fresco aesthetic.","pichwai_prompt":"Pichwai cloth painting style: ceremonial enthronement framed by ornate floral borders; symbolic lotus motifs for sovereignty; upper section depicts a decorative Svarga panel with cloud patterns and gold highlights; deep blues and reds, intricate textile ornamentation, devotional grandeur."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["Vedic-style chanting","conch shell","temple bells","soft court murmurs","wind-like hush at the moment of departure"]}
Sandhi Resolution Notes: जगामाथ = जगाम + अथ।
FAQs
It describes King Yayāti formally installing (anointing) his son Pūru as ruler of his kingdom and then departing to Indra’s realm (Aiṃdra-loka).
The verse highlights responsible succession and the duty of a king to transfer authority properly—ensuring stability and honoring merit or rightful fitness before withdrawing from worldly rule.
Aiṃdra-loka means Indra’s world—commonly understood as the celestial realm associated with Indra (Svarga), a destination attained through great merit and righteous conduct.