Shloka 13
Yayāti Ensnared by Desire: Gandharva Marriage, Aśvamedha, and the Demand to See the Worlds
उपयेमे सुतां पुण्यां मन्मथस्य नरोत्तम । तया सार्द्धं महात्मा वै रमते नृपनंदनः
upayeme sutāṃ puṇyāṃ manmathasya narottama | tayā sārddhaṃ mahātmā vai ramate nṛpanaṃdanaḥ
ນະໂຣຕະມະຜູ້ປະເສີດນັ້ນ ໄດ້ແຕ່ງງານກັບທິດາຜູ້ມີບຸນຂອງພຣະມັນມະຖະ; ແລະຢູ່ກັບນາງ ພຣະຣາຊະກຸມານຜູ້ໃຈຍິ່ງ ກໍຊື່ນບານແທ້ໆ।
Unspecified narrator (contextual narration within the Adhyaya; specific dialogue pair not identifiable from this single verse alone).
Concept: Even an auspicious marriage can become a doorway to attachment if not governed by dharma and self-restraint.
Application: Honor relationships as sacred, but keep daily disciplines (japa, seva, vrata) so affection does not harden into possessiveness.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A royal wedding moment: the ‘best of men’ takes the virtuous daughter of Manmatha by the hand before a sacred fire, while celestial blossoms drift down. The bride’s presence subtly radiates Kāma’s enchantment—soft, perfumed air and a faint bow-and-flower motif—hinting that delight may turn to delusion.","primary_figures":["Yayāti (as nṛpa)","Daughter of Manmatha","Agni (wedding fire)","Attendant sages/priest","Celestial gandharvas (optional)"],"setting":"Palace courtyard mandapa with vedic altar, garlands, conch and lamp stands, silk canopies, lotus motifs on pillars.","lighting_mood":"temple lamp-lit","color_palette":["lotus pink","saffron gold","emerald green","ivory white","deep maroon"],"tanjore_prompt":"Tanjore painting style: royal wedding of Yayāti with Manmatha’s virtuous daughter in a palace mandapa, Agni-kunda centered, gold leaf halos and ornate arch, rich reds and greens, gem-studded jewelry, stylized lotus pillars, delicate floral rain from heavens, subtle bow-and-flower emblem of Kāma worked into the border, high-relief gold embellishment.","pahari_prompt":"Pahari miniature style: intimate marriage scene in a garden-palace courtyard, delicate brushwork and refined faces, soft pastel textiles, priests by the fire, distant hills and flowering trees, lyrical naturalism, a discreet Kāma motif on the bride’s veil, cool shadows and gentle light.","kerala_mural_prompt":"Kerala mural style: bold outlined figures of the king and bride beside the sacred fire, symmetrical composition, temple-wall aesthetic, large expressive eyes, red/yellow/green palette, ornamental borders with lotus and creepers, divine aura suggested by concentric halos.","pichwai_prompt":"Pichwai cloth painting style: celebratory mandapa with lotus borders and floral vines, deep blue background with gold detailing, attendants and musicians, peacocks at the edges, ornate textile patterns; include a subtle Vaishnava cue—Shaligrama or Vishnu emblem on a banner—contrasting worldly marriage with divine remembrance."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","soft mridanga","murmured mantra","crackling fire"]}
Sandhi Resolution Notes: उपयेमे (लिट् रूप, उप+या); नरोत्तम = नर+उत्तम (ओ-गुणसन्धि); नृपनंदनः = नृप+नन्दनः (अनुस्वार/नकारसन्धि)
FAQs
Manmatha is Kāma, the deity associated with love and desire; the verse identifies the bride as his daughter.
It narrates a marriage: a distinguished man weds Manmatha’s virtuous daughter and lives happily with her.
The verse frames marriage as a socially and morally sanctioned union (a dharmic bond), highlighting virtue (puṇyā) and rightful companionship.