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Shloka 64

Yayāti’s Summons to Heaven and the Teaching on Old Age, the Five-Element Body, and Self–Body Discernment

सत्येन धर्मपुण्यैश्च दानैर्नियमसंयमैः । अश्वमेधादिभिर्यज्ञैस्तीर्थैः संयमनैस्तथा

satyena dharmapuṇyaiśca dānairniyamasaṃyamaiḥ | aśvamedhādibhiryajñaistīrthaiḥ saṃyamanaistathā

ດ້ວຍຄວາມສັດຈິງ; ດ້ວຍກຳທຳທີ່ເປັນທຳມະແລະບຸນ; ດ້ວຍທານ; ດ້ວຍວຣະຕະ ແລະນິຍະມພ້ອມການສຳຣວມຕົນ; ດ້ວຍຍັດຍະເຊັ່ນອັສວເມທ; ດ້ວຍທີຣຖະອັນສັກສິດ; ແລະດ້ວຍວິນັຍແຫ່ງການສຳຣວມ—ຍ່ອມໄດ້ບຸນທາງວິນຍານຕາມທີ່ປາດຖະນາ.

satyenaby truth
satyena:
Karaṇa (करण)
TypeNoun
Rootsatya (प्रातिपदिक)
FormNapुंसकलिङ्ग, Tṛtīyā Ekavacana
dharma-puṇyaiḥby righteousness and merit
dharma-puṇyaiḥ:
Karaṇa (करण)
TypeNoun
Rootdharma (प्रातिपदिक) + puṇya (प्रातिपदिक)
FormPuṃliṅga, Tṛtīyā Bahuvacana; dvandva: 'dharmaś ca puṇyaṃ ca'
caand
ca:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
FormSamuccaya-avyaya (conjunction/समुच्चय)
dānaiḥby gifts, charity
dānaiḥ:
Karaṇa (करण)
TypeNoun
Rootdāna (प्रातिपदिक)
FormNapुंसकलिङ्ग, Tṛtīyā Bahuvacana
niyama-saṃyamaiḥby observances and self-restraints
niyama-saṃyamaiḥ:
Karaṇa (करण)
TypeNoun
Rootniyama (प्रातिपदिक) + saṃyama (प्रातिपदik)
FormPuṃliṅga, Tṛtīyā Bahuvacana; dvandva: 'niyamaś ca saṃyamaś ca' (observances and restraints)
aśvamedha-ādibhiḥby (rites) such as the Aśvamedha
aśvamedha-ādibhiḥ:
Karaṇa (करण)
TypeNoun
Rootaśvamedha (प्रातिपदिक) + ādi (प्रातिपदिक)
FormPuṃliṅga, Tṛtīyā Bahuvacana; tatpuruṣa: 'aśvamedhaḥ ādiḥ yeṣām' (ādi in sense of 'etc.')
yajñaiḥby sacrifices
yajñaiḥ:
Karaṇa (करण)
TypeNoun
Rootyajña (प्रातिपदिक)
FormPuṃliṅga, Tṛtīyā Bahuvacana
tīrthaiḥby sacred places (pilgrimages)
tīrthaiḥ:
Karaṇa (करण)
TypeNoun
Roottīrtha (प्रातिपदिक)
FormNapुंसकलिङ्ग, Tṛtīyā Bahuvacana
saṃyamanaiḥby disciplines/restraints
saṃyamanaiḥ:
Karaṇa (करण)
TypeNoun
Rootsaṃyamana (प्रातिपदिक)
FormNapुंसकलिङ्ग, Tṛtīyā Bahuvacana; 'means of restraint/discipline'
tathālikewise
tathā:
Sambandha (सम्बन्ध)
TypeIndeclinable
Roottathā (अव्यय)
FormPrakāra-avyaya (adverb/प्रकार) meaning 'thus/also'

Unspecified (verse excerpt; speaker not identifiable from the single shloka alone)

Concept: Spiritual merit is accumulated through satya, dharma, dāna, niyama-saṃyama, yajña, tīrtha-sevā, and disciplined restraint.

Application: Adopt one discipline: truthfulness in speech, regular charity, a weekly vow/niyama, and periodic pilgrimage or local temple tīrtha-sevā; treat restraint as worship.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: tirtha

Visual Art Cues: {"scene_description":"A panoramic ‘dharma-mandala’ scene: a pilgrim-householder offers water and gifts, a sage teaches restraint, and in the distance a grand yajña-vedi blazes with controlled fire. Sacred pathways lead toward multiple tīrthas—river ghats, temple towers, and forest hermitages—showing many doors of merit converging toward inner purity.","primary_figures":["Householder devotee","Vedic priest (ṛtvij)","Sage teacher of niyama","Symbolic Vishnu presence (subtle, as guiding light)"],"setting":"Composite sacred landscape: yajña-śālā with vedi, a river ghat for snāna, a temple courtyard for dāna, and a quiet grove for self-restraint practices.","lighting_mood":"golden dawn","color_palette":["saffron","river turquoise","sandalwood beige","vermillion","gold leaf"],"tanjore_prompt":"Tanjore painting style: central yajña-vedi with stylized flames, priests in traditional attire, a devotee offering dāna at a temple threshold, gold leaf halos and ornate borders, rich reds and greens, gem-like detailing on vessels and ornaments, subtle Vishnu emblem (śaṅkha-cakra) in the upper panel signifying Vaishnava orientation.","pahari_prompt":"Pahari miniature style: lyrical multi-scene composition with delicate brushwork—river ghat snāna, small yajña fire, a sage instructing a disciple in restraint—cool yet luminous palette, refined faces, rolling hills and trees framing the tīrtha route.","kerala_mural_prompt":"Kerala mural style: bold outlines, simplified but iconic yajña scene, devotee giving charity, temple lamp stands, strong red/yellow/green palette, large expressive eyes, rhythmic arrangement of dharma-acts as a narrative frieze.","pichwai_prompt":"Pichwai cloth painting style: devotional tapestry where acts of satya, dāna, and tīrtha-sevā appear as vignettes around a central lotus medallion bearing Vishnu’s śaṅkha-cakra symbols, intricate floral borders, deep blues with gold highlights, peacocks and lotuses suggesting auspicious merit."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft yajña fire crackle","mantra undertone","temple bells","flowing water"]}

Sandhi Resolution Notes: dharmapuṇyaiśca = dharma-puṇyaiḥ + ca; dānairniyamasaṃyamaiḥ = dānaiḥ + niyama-saṃyamaiḥ; aśvamedhādibhiryajñais = aśvamedha-ādibhiḥ + yajñaiḥ.

FAQs

It enumerates truthfulness, righteous/meritorious conduct, charity, vows and self-restraint, major sacrifices like the Aśvamedha, pilgrimage to tīrthas, and other disciplines of restraint.

No. The verse places ethical virtues (truth, dharma, charity, restraint) alongside ritual means (yajñas) and tīrtha pilgrimage, presenting a broad dharmic spectrum rather than a single exclusive path.

Spiritual progress is supported by both inner integrity (truth and self-control) and outward dharmic action (charity, vows, sacred rites, and pilgrimage).