Shloka 30
The Tale of Sukalā: Illusion, Desire, and the Testing of a Chaste Wife
within the Vena Cycle
पुंसां कायं समाश्रित्य आत्मरूपं प्रदर्शये । पुमांसं वा सहस्राक्ष नार्याः कार्यं समाश्रये
puṃsāṃ kāyaṃ samāśritya ātmarūpaṃ pradarśaye | pumāṃsaṃ vā sahasrākṣa nāryāḥ kāryaṃ samāśraye
ໂດຍການອາໄສຮ່າງກາຍຂອງຜູ້ຊາຍ, ຂ້າພະເຈົ້າສະແດງຮູບຂອງຕົນ; ຫຼື ໂອ ພະອິນ ຜູ້ມີພັນຕາ, ໂດຍການອາໄສຜູ້ຊາຍ, ຂ້າພະເຈົ້າເຮັດໜ້າທີ່ກ່ຽວກັບຜູ້ຍິງ.
Unclear from the single-verse excerpt (addressing Indra as ‘Sahasrākṣa’).
Concept: Adharma often operates through disguise and role-assumption; discernment (viveka) is necessary to avoid manipulation.
Application: Do not judge by appearances; verify intentions and actions; cultivate steady sādhana to sharpen discernment.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A figure mid-transformation stands between two identities—half rendered as a man, half as a veiled feminine silhouette—suggesting the unsettling fluidity of deception. Indra (Sahasrākṣa) is shown as a vigilant witness, eyes wide and many-faceted, as if tasked with perceiving what ordinary sight misses.","primary_figures":["Indra (Sahasrākṣa)","A shape-shifting tempter/demonic agent"],"setting":"A celestial audience hall with cloud-pillars and a distant thunderhead; the floor reflects forms like a mirror, emphasizing illusion.","lighting_mood":"divine radiance","color_palette":["electric blue","storm gray","pearl white","vermillion","antique gold"],"tanjore_prompt":"Tanjore painting style: Indra seated with regal ornaments and vajra, many-eyed motif subtly integrated; before him a figure split into masculine and feminine halves, ornate but unsettling; gold leaf on crowns and borders, rich reds/greens, symmetrical temple-arch composition.","pahari_prompt":"Pahari miniature style: Indra in refined profile with delicate jewelry; the transforming figure painted with translucent washes to show dual form; cool cloudscape, lyrical detail, subtle thunder motifs, fine brushwork.","kerala_mural_prompt":"Kerala mural style: Indra with bold outlines and stylized vajra; the shapeshifter depicted with clear half-and-half iconography; strong reds/yellows/greens, patterned cloud bands, temple mural geometry.","pichwai_prompt":"Pichwai cloth painting style: Symbolic court of the devas with ornate borders; Indra centered, the dual-form figure framed by swirling lotus-vines that twist into ambiguous shapes; deep blue ground with gold highlights, intricate textile symmetry."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["thunder rumble","conch shell","temple bells","wind"]}
Sandhi Resolution Notes: ātmarūpaṃ = ātma + rūpam; sahasrākṣa = sahasra + akṣa.
FAQs
‘Sahasrākṣa’ (“thousand-eyed”) is a common epithet of Indra, the king of the devas, frequently addressed in Purāṇic dialogues.
The verse conveys the notion of deliberately assuming a particular form (male or otherwise) to reveal oneself or to carry out a task associated with a specific social role or duty.
It suggests that actions may be undertaken through role-assumption to accomplish a purpose or duty (kārya), emphasizing intentionality and responsibility rather than mere appearance.