Shloka 44
The Narrative of Suvrata: Tapas, Surrender-Prayer, and Cyclical Time
प्रभवंति महाभाग विद्वांस्तत्र न मुह्यति । पूर्वकल्पे महाभागो यथा रुक्मांगदो नृपः
prabhavaṃti mahābhāga vidvāṃstatra na muhyati | pūrvakalpe mahābhāgo yathā rukmāṃgado nṛpaḥ
ໂອ ຜູ້ມີບຸນຍາທິການຍິ່ງ! ຜົນແຫ່ງກຳຍ່ອມປາກົດແລະສຳເລັດ; ທີ່ນັ້ນ ຜູ້ຮູ້ບໍ່ຖືກມົວຫຼົງ. ໂອ ຜູ້ສູງສົ່ງ! ໃນກັລປກ່ອນກໍເປັນເຊັ່ນນັ້ນ—ດັ່ງທີ່ເກີດແກ່ພະຣາຊາ ຣຸກມາງກະດາ ຜູ້ຮຸ່ງເຮືອງ.
Unspecified (context needed to confirm the dialogue speaker in Bhūmi-khaṇḍa 22)
Concept: Karmic and dharmic results ‘come to fruition’; wisdom prevents delusion when outcomes unfold according to cosmic law.
Application: When consequences mature—pleasant or painful—respond with steadiness; study exemplars to avoid confusion in ethical dilemmas.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A sage-teacher gestures toward a luminous mural showing a ‘former kalpa’ scene: King Rukmāṅgada stands resolute before a crossroads of temptation and duty, while time itself is depicted as layered horizons behind him. The listener’s face shifts from doubt to clarity as the story’s moral certainty dawns.","primary_figures":["a teaching sage (unnamed)","a noble listener (mahābhāga)","King Rukmāṅgada (in mural/vision)","personified Kāla (symbolic)"],"setting":"An āśrama teaching hall with a vision-panel or divine mirror revealing the former aeon.","lighting_mood":"golden dawn","color_palette":["warm gold","ash white","royal blue","copper brown","sage green"],"tanjore_prompt":"Tanjore painting style: sage instructing a seated noble, behind them a gold-framed vision of King Rukmāṅgada in a former kalpa, heavy gold leaf radiance, ornate arch, jewel-toned garments, clear moral tableau with symbolic time-wheel motifs.","pahari_prompt":"Pahari miniature style: intimate āśrama discourse, soft dawn light, delicate expressions showing doubt turning to clarity, a translucent vignette of Rukmāṅgada in the background like a remembered tale, refined brushwork and gentle landscape gradients.","kerala_mural_prompt":"Kerala mural style: didactic two-panel composition—teacher and listener in foreground, former-kalpa Rukmāṅgada scene in a framed register above, bold outlines, saturated reds/yellows/greens, stylized time motifs and lotus borders.","pichwai_prompt":"Pichwai cloth painting style: narrative medallion of Rukmāṅgada surrounded by floral borders and repeating lamp motifs, deep blue field with gold highlights, devotional storytelling ambience as if sung in a temple courtyard."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["tanpura drone","soft mridang pulse","page-turning of palm-leaf text","distant conch","morning birds"]}
Sandhi Resolution Notes: vidvāṃstatra = vidvān + tatra (final -n before t becomes anusvāra); pūrvakalpe is a compound; rukmāṃgado = rukmāṅgadaḥ (anusvāra/ṅ variation in transmission).
FAQs
Rukmāṅgada is presented as an exemplary king in Purāṇic literature; here he is cited as an illustration from a previous kalpa to support the teaching being conveyed.
It emphasizes that outcomes unfold according to a higher order (dharma/causality), and that the wise are not confused by such unfolding—supported by an example from an earlier age.
Referencing a former kalpa frames the lesson as timeless and recurring across cosmic cycles, strengthening the authority of the example and the principle being taught.