Shloka 25
The Narrative of Suvrata: Tapas, Surrender-Prayer, and Cyclical Time
घोरांधकारपटले महतीव गर्ते संसारनाम्निपतितं सततं हि कृष्ण । त्वं सत्कृपो मम हि दीनभयातुरस्य तस्माद्विरज्यशरणं तव आगतोस्मि
ghorāṃdhakārapaṭale mahatīva garte saṃsāranāmnipatitaṃ satataṃ hi kṛṣṇa | tvaṃ satkṛpo mama hi dīnabhayāturasya tasmādvirajyaśaraṇaṃ tava āgatosmi
ໂອ ພຣະກຣິດສະນະ, ຂ້າພະເຈົ້າຕົກລົງຊ້ຳໆໃນໂລກທີ່ເອີ້ນວ່າ ສັງສາຣະ ດັ່ງຫຼຸມເຫວໃຫຍ່ທີ່ຖືກປົກຄຸມດ້ວຍຄວາມມືດອັນນ່າຢ້ານ. ພຣະອົງເປັນຜູ້ເມດຕາແທ້ຕໍ່ຂ້າພະເຈົ້າຜູ້ທຸກຍາກແລະຫວາດຫວັນ; ດັ່ງນັ້ນຂ້າພະເຈົ້າຈຶ່ງລະທິ້ງທຸກຢ່າງ ແລະມາຂໍພຶ່ງພາພຣະອົງແຕ່ຜູ້ດຽວ.
Unspecified devotee/supplicant addressing Kṛṣṇa (speaker not identified in the provided excerpt).
Concept: In the dread-dark pit of saṃsāra, the decisive act is virakti (renunciation of other supports) and śaraṇāgati to Kṛṣṇa.
Application: Reduce dependence on unstable supports (status, possessions, compulsions); cultivate a single daily anchor—Kṛṣṇa-smaraṇa, prayer, and ethical living—especially when fear spikes.
Primary Rasa: bhayanaka
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A yawning, circular pit opens in the earth, its rim ringed with thorny shadows and swirling black mist—darkness layered like a heavy veil. A trembling devotee clings to the edge, looking up as Kṛṣṇa appears above the abyss, compassionate and steady, extending a luminous scarf or lotus-stem of refuge that cuts through the gloom.","primary_figures":["Kṛṣṇa","a fearful devotee"],"setting":"Symbolic chasm in a barren landscape; the darkness inside the pit forms faint patterns of repeating births and deaths.","lighting_mood":"moonlit gloom pierced by divine light","color_palette":["midnight black","deep violet","pale moon silver","sapphire blue","warm gold"],"tanjore_prompt":"Tanjore painting style: Kṛṣṇa with gold leaf halo and ornate crown above a stylized dark pit; the devotee reaching upward; heavy gold embellishment on Kṛṣṇa’s ornaments and the ‘rope’ of refuge; rich red-green borders, temple-arch framing, high-contrast chiaroscuro between pit and radiance.","pahari_prompt":"Pahari miniature style: a cliff-like pit with delicate shading, cool night palette; Kṛṣṇa poised above with gentle expression; fine linework for mist and stars; lyrical composition emphasizing vertical rescue and calm compassion.","kerala_mural_prompt":"Kerala mural style: bold outlines; the pit as a circular mandala of darkness; Kṛṣṇa’s blue form with large eyes and bright ornaments; strong yellow-red highlights for the rescuing gesture; symmetrical, iconic layout.","pichwai_prompt":"Pichwai cloth painting style: Kṛṣṇa centered with lotus borders; the pit stylized as a dark lotus-calyx below; peacocks at the edges; intricate floral motifs turning from dark to bright near Kṛṣṇa’s feet, deep indigo and gold detailing."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Darbari","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low drone","wind echo","single bell strike","conch shell at the resolution"]}
Sandhi Resolution Notes: घोरांधकारपटले = घोर + अन्धकारपटले; संसारनाम्निपतितं = संसार + नाम्नि + पतितम्; तस्माद्विरज्यशरणं = तस्मात् + विरज्य + शरणम्; तव आगतोस्मि = तव + आगतः + अस्मि (आगतोऽस्मि).
FAQs
It portrays saṃsāra as a vast pit (garta) covered by a terrifying veil of darkness, emphasizing confusion, danger, and repeated falling into worldly suffering.
It centers on direct address to Kṛṣṇa and culminates in śaraṇāgati (taking refuge), presenting devotion and surrender—rather than self-reliance—as the decisive response to fear and bondage.
Recognize the peril of attachment-driven life, cultivate dispassion (virajya) toward what perpetuates fear and bondage, and seek refuge in the divine with humility and trust.