Shloka 14
The Narrative of Suvrata: Tapas, Surrender-Prayer, and Cyclical Time
कामक्रोधादिकान्दोषान्परित्यज्य द्विजोत्तमः । संयम्यचैन्द्रियं वर्गं तपस्तेपे निरंतरम्
kāmakrodhādikāndoṣānparityajya dvijottamaḥ | saṃyamyacaindriyaṃ vargaṃ tapastepe niraṃtaram
ເມື່ອລະທິ້ງໂທດທັງຫຼາຍທີ່ເລີ່ມຈາກກາມແລະໂກຣດແລ້ວ ດວິຊະຜູ້ປະເສີດໄດ້ສຳລວມຫມູ່ອິນທຣີຍທັງປວງ ແລະບຳເນົາຕະປະຢ່າງຕໍ່ເນື່ອງ
Narrator (contextual speaker not specified in the provided excerpt)
Concept: Renounce kāma-krodha and restrain the senses; sustained tapas becomes the vessel for divine grace.
Application: Adopt a daily ‘sense-audit’: identify one trigger of desire/anger, replace it with a concrete restraint (mauna window, reduced indulgence, mindful eating), and keep a small, consistent sādhana rather than sporadic extremes.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A serene twice-born ascetic sits in unwavering padmāsana, eyes half-closed, while shadowy personifications of kāma and krodha dissolve like smoke at the edge of his aura. The senses appear as restless deer gradually settling, symbolizing indriya-saṃyama, as a subtle Viṣṇu-lotus radiance begins to dawn behind him.","primary_figures":["a meditating dvijottama (brahmin ascetic)","allegorical Kāma","allegorical Krodha","subtle presence of Viṣṇu as lotus-light"],"setting":"Quiet hermitage clearing with kusa grass seat, minimal ritual objects (kamandalu, japa-mālā), distant forest line suggesting withdrawal from distractions.","lighting_mood":"forest dappled","color_palette":["sandalwood beige","smoke gray","leaf green","dawn gold","deep indigo"],"tanjore_prompt":"Tanjore painting style: an austere brahmin yogin seated on a kusa mat, haloed by a thin ring of gold leaf; faint gold-leaf lotus behind him hinting at Viṣṇu’s grace; rich maroon background border, emerald accents on foliage, gem-studded minimal ornaments on a small Viṣṇu emblem near the yogin; stylized personifications of desire and anger fading at the margins.","pahari_prompt":"Pahari miniature style: delicate ascetic in a quiet forest glade, soft Himalayan greens and cool blues; tiny deer-like symbols for senses calming around him; lyrical naturalism with a pale golden dawn wash; refined facial features, minimal architecture, emphasis on stillness and breath.","kerala_mural_prompt":"Kerala mural style: bold black outlines, the yogin with characteristic large eyes and calm expression; flat temple-wall aesthetic forest bands; red-yellow-green palette with a subtle blue aura; symbolic Kāma and Krodha rendered as fading figures at the corners; a small Viṣṇu-lotus motif above.","pichwai_prompt":"Pichwai cloth painting style: central meditating ascetic framed by intricate floral borders and lotus motifs; deep indigo ground with gold highlights; stylized tulasi and lotus patterns as purity symbols; peacocks perched quietly, emphasizing restraint and serenity."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["silence","soft wind in leaves","distant birds","gentle temple bell"]}
Sandhi Resolution Notes: दोषान्परित्यज्य = दोषान् + परित्यज्य; संयम्यचैन्द्रियं = संयम्य + च + इन्द्रियं; तपस्तेपे = तपः + तेपे; निरंतरम् (अनुस्वार/नासिक्य-रूपभेद).
FAQs
It teaches self-purification: renouncing inner vices like desire and anger, restraining the senses, and sustaining disciplined austerity.
It denotes an exemplary member of the 'twice-born' (typically a brāhmaṇa) who embodies high ethical and spiritual discipline.
It frames dharma as inner mastery—control of passions and senses—supported by steady tapas, a recurring Purāṇic ideal for spiritual progress.