Shloka 122
Marks of the Debt-Bound/Enemy Son, Filial Dharma, Detachment, and the Durvāsā–Dharma Episode
प्रसादसुमुखो विप्र प्रणतस्य सदैव हि । दुर्वासाश्च ततः क्रुद्धो धर्मं चैव शशाप ह
prasādasumukho vipra praṇatasya sadaiva hi | durvāsāśca tataḥ kruddho dharmaṃ caiva śaśāpa ha
ໂອ ພຣາຫມັນ, ຕໍ່ຜູ້ທີ່ກົ້ມກາບດ້ວຍຄວາມເຄົາລົບ ທ່ານນັ້ນຍ່ອມເມດຕາແລະໃຈດີເສມອ. ແຕ່ຕໍ່ມາ ທຸຣະວາສາໂກດກະຫນັກ ແລະໄດ້ສາບແມ່ນແຕ່ທຳມະເອງ.
Narrator (within the ongoing Purāṇic dialogue; specific speaker not explicit in this single śloka)
Concept: Reverence draws prasāda, yet unchecked anger can override even a naturally gracious disposition, producing paradoxical harm.
Application: Cultivate the habit of bowing—literally or mentally—before reacting; build a pause between stimulus and speech.
Primary Rasa: adbhuta
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"The narrator’s lens widens: a bowed devotee at the edge of the frame receives a soft, gracious glance—yet the same sage’s face turns storm-dark in the next breath. The contrast is stark: blessing and curse hang in the air like twin currents, revealing the razor-thin line between prasāda and krodha.","primary_figures":["Durvāsā","Dharma","Narrator-figure (optional, as a framing sage)"],"setting":"Hermitage threshold with a visible act of pranāma—hands touching the ground—near a small sacrificial fire and water vessel.","lighting_mood":"divine radiance with sudden shadow","color_palette":["soft ivory","flame orange","indigo shadow","sage green","golden brown"],"tanjore_prompt":"Tanjore painting style: split-moment composition—Durvāsā’s face half-lit in kindness, half in wrath; Dharma kneeling in pranāma; gold leaf used to emphasize prasāda aura, with rich reds/greens and ornate borders.","pahari_prompt":"Pahari miniature style: subtle narrative sequencing in one frame; delicate expressions showing the sage’s shift from gentle to fierce; cool palette with warm fire accents, fine foliage and quiet āśrama architecture.","kerala_mural_prompt":"Kerala mural style: strong outlines and stylized facial features; dramatic contrast of light and dark around Durvāsā; Dharma in calm posture; patterned background typical of temple murals.","pichwai_prompt":"Pichwai cloth painting style: devotional border of lotuses; central scene of pranāma and the sage’s changing mood; deep blue ground with gold highlights, peacocks and floral vines framing the moral drama."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["crackling fire","gentle bell","wind hush","footsteps on dry leaves"]}
Sandhi Resolution Notes: प्रसादसुमुखो = प्रसाद + सुमुखः; सदैव = सदा + एव; दुर्वासाश्च = दुर्वासाः + च; चैव = च + एव.
FAQs
It contrasts divine (or exalted) graciousness toward the humble with the destructive power of uncontrolled anger, shown by Durvāsā’s curse—even directed at Dharma.
Durvāsā is the sage famed in Purāṇic literature for intense ascetic power and quick anger; Dharma refers to righteousness and also the personified deity of moral order.
Humility invites grace, while anger—especially when unchecked—can lead to grave, even unjust, actions such as cursing what ought to be upheld (Dharma).