Shloka 143
Adhyāya 284: Tapas as a Corrective to Household Attachment
Parāśara’s Instruction
शिल्पिक: शिसल्पिनां श्रेष्ठ: सर्वशिल्पप्रवर्तक: । भगनेत्राड्कुशश्वण्ड: पूष्णो दन्तविनाशन:
śilpikaḥ śilpināṁ śreṣṭhaḥ sarvaśilpapravartakaḥ | bhaganetrāṅkuśaśvaṇḍaḥ pūṣṇo dantavināśanaḥ ||
ພີສະມະກ່າວວ່າ: ພຣະອົງເປັນຊ່າງຜູ້ຍິ່ງໃຫຍ່ທີ່ສຸດໃນບັນດາຊ່າງ ເປັນຜູ້ກໍ່ກຳເນີດ ແລະຜູ້ສົ່ງເສີມສິລະປະຫັດຖະກຳທຸກຢ່າງ. ພຣະອົງແມ່ນຜູ້ທີ່ທຳໃຫ້ຕາຂອງພະເຈົ້າພະຄະແຕກ ແລະທຳລາຍແຂ້ວຂອງພູສັນ ພ້ອມທັງຖືອງອັງກຸສ ແລະໄມ້ທ່ອນ—ເປັນທີ່ລະລຶກດ້ວຍອຳນາດອັນເຂັ້ມງວດທີ່ຕັກເຕືອນແລະແກ້ໄຂ.
भीष्म उवाच
Educational Q&A
The verse presents a model of authority that both disciplines and enables: the same divine force that punishes transgression (even among gods) is also the source that establishes and sustains the ordered practices—arts, crafts, and duties—by which society functions in harmony with dharma.
Bhīṣma is listing epithets and identifying marks of a powerful deity (commonly understood as Rudra/Śiva): he is praised as the supreme patron of crafts, and recalled through mythic acts—blinding Bhaga and breaking Pūṣan’s teeth—motifs associated with the chastisement of the gods in the context of sacrificial conflict (often linked to the Dakṣa-yajña tradition).