Śatarudrīya-prabhāva and Rudra’s Supremacy (शतरुद्रीयप्रभावः)
षट्पदैरुपगीतैश्व माधवाप्रतिमो गिरि: । तन्महोत्सवसंकाशं भीमरूपधरं तत:
ṣaṭpadair upagītaiś ca mādhavāpratimo giriḥ | tan-mahotsava-saṅkāśaṃ bhīma-rūpa-dharaṃ tataḥ ||
ນາຣະດະ ກ່າວວ່າ: «ແລ້ວພູເຂົານັ້ນ—ສະຫວ່າງໄສດັ່ງມາທະວະ (ພຣະວິສະນຸ)—ຖືກສັນລະເສີນດ້ວຍສຽງຮ້ອງຮືມຮືມຂອງເຜິ້ງ. ຕໍ່ມາ ສັດຜູ້ນ່າຢ້ານກົວ ຜູ້ຮັບຮູບອັນນ່າສະພຶງກົວ ປາກົດຂຶ້ນ ສະຫວ່າງຈ້າດັ່ງງານມະໂຫລານ»។
नारद उवाच
The verse uses auspicious natural imagery (bees’ humming, festival-like radiance) alongside a sudden fearful manifestation to suggest that dharmic narratives often juxtapose beauty and terror, reminding the listener to maintain steadiness and discernment amid changing appearances.
Nārada describes a mountain scene filled with the humming ‘songs’ of bees, portraying the mountain as splendid like Mādhava; then he notes the subsequent appearance of a terrifying, formidable form, shining with a brilliance likened to a grand festival.