अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
क्वचित् क्वचिद् गन्धकदम्बकैर् मृगैर् विलूनदर्भाङ्कुरपुष्पसंचयम् प्रफुल्लनानाविधचारुपङ्कजैः सरस्तडागैरुपशोभितं क्वचित्
kvacit kvacid gandhakadambakair mṛgair vilūnadarbhāṅkurapuṣpasaṃcayam praphullanānāvidhacārupaṅkajaiḥ sarastaḍāgairupaśobhitaṃ kvacit
ບ່ອນນີ້ບ່ອນນັ້ນ ຖືກປະດັບດ້ວຍກວາງກິ່ນຫອມທີ່ຍ່າງຫາກິນ; ບາງຈຸດມີກອງຍອດຫຍ້າດັບພະ (darbha) ທີ່ເກັບມາໃໝ່ ແລະດອກໄມ້ທີ່ຮວບຮວມໄວ້. ອີກບາງບ່ອນ ງາມສະຫງ່າດ້ວຍສະລະ ແລະຫນອງນ້ໍາ ທີ່ເຕັມໄປດ້ວຍດອກບົວງາມນານາຊະນິດທີ່ບານສຸດ—ດັ່ງນັ້ນ ດິນແດນອັນສັກສິດນັ້ນ ຈຶ່ງຖືກປະດັບງາມຫຼາຍຮູບແບບ.
Suta Goswami (narrating to the sages of Naimisharanya)
It highlights the ritual ecosystem of Linga-pūjā—darbha grass and flowers gathered for worship, and a tirtha-like environment that supports purity (śauca) and devotion to Pati (Śiva).
By portraying a sanctified landscape naturally oriented to worship, it implies Shiva-tattva as Pati—the presence that consecrates space, drawing pashus (souls) toward upliftment through sacred order and beauty.
Preparation for pūjā through collecting darbha and flowers (upacāra-sādhana), and the yogic emphasis on a pure, sattvic setting conducive to Pāśupata-oriented contemplation.