प्रलय-तत्त्वलयः, नीललोहित-रुद्रः, अष्टमूर्तिस्तवः, एवं ब्रह्मणो वैराग्यम्
वामां रौद्रीं महामायां वैष्णवीं वारिजेक्षणाम् कलां विकिरिणीं चैव कालीं कमलवासिनीम्
vāmāṃ raudrīṃ mahāmāyāṃ vaiṣṇavīṃ vārijekṣaṇām kalāṃ vikiriṇīṃ caiva kālīṃ kamalavāsinīm
ຂ້າພະເຈົ້ານະມັດສະການເຊີນອໍານາດວາມາ (Vāmā) ຜູ້ເບື້ອງຊ້າຍ, ຣາວດຣີ (Raudrī) ພະລັງຮຸດຣະອັນດຸຮ້າຍ, ມະຫາມາຍາ (Mahāmāyā) ຜູ້ລວງລໍ້ອັນຍິ່ງ, ແລະ ໄວສະນະວີ (Vaiṣṇavī) ພະລັງວິສນຸອັນແຜ່ຊາຍ ມີດວງຕາດັ່ງດອກບົວ. ພ້ອມທັງ ກະລາ (Kalā) ອົງພະລັງອັນສະຫວ່າງ ກະຈາຍລັງສີທຸກທິດ, ແລະ ກາລີ (Kālī) ຜູ້ຢູ່ໃນດອກບົວ—ຮູບແຫ່ງສັກຕິເຫຼົ່ານີ້ ຄວນພິຈາລະນາໃນສະມາທິວ່າ ບໍ່ແຍກຈາກ ປະຕິ ພຣະສິວະເຈົ້າ.
Suta Goswami (narrating to the sages of Naimisharanya; within a hymn-like recitation)
It supplies contemplative names of Śakti to be invoked alongside the Liṅga, reinforcing that Liṅga-pūjā is worship of Pati (Śiva) together with His inseparable power (Śakti) that manifests, preserves, and dissolves.
By listing Raudrī, Mahāmāyā, Vaiṣṇavī, Kalā, and Kālī, the verse implies Śiva-tattva as the transcendent Pati whose one consciousness operates through multiple śaktis—veiling (māyā), radiance (kalā), preservation (vaiṣṇavī), and dissolution/time (kālī).
Name-recitation (nāma-japa) and dhyāna: during Liṅga-pūjā or Pāśupata-oriented meditation, the sādhaka contemplates these śaktis as energies binding or liberating the paśu, and offers worship to their source, Śiva.