HomeVamana PuranaAdh. 25Shloka 4
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Vamana Purana — Saptarishis Seek Uma for Shiva, Shloka 4

The Saptarishis Seek Uma for Shiva: Himavan Grants the Marriage

नीलाञ्चनचयप्रख्या नीलेन्दीवरलोचना रूपेणानुपमा काली जघन्या मेनकासुता

nīlāñcanacayaprakhyā nīlendīvaralocanā rūpeṇānupamā kālī jaghanyā menakāsutā

ಮೇನಾಳ ಕನಿಷ್ಠ ಪುತ್ರಿ ಕಾಳೀ ನೀಲಾಂಜನದ ಗುಂಪಿನಂತೆ ಶ್ಯಾಮವರ್ಣಳಾಗಿದ್ದಳು; ಅವಳ ಕಣ್ಣುಗಳು ನೀಲಿ ಕಮಲಗಳಂತೆ ಇದ್ದವು; ರೂಪದಲ್ಲಿ ಅವಳು ಅನೂಪಮಳಾಗಿದ್ದಳು.

नीलाञ्चनचयप्रख्याlike a mass of dark collyrium
नीलाञ्चनचयप्रख्या:
Karta (कर्ता)
TypeAdjective
Rootनील + अञ्जन + चय + प्रख्य (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः—‘नीलाञ्जनचयवत् प्रख्या’ (renowned/appearing like a mass of dark collyrium)
नीलेन्दीवरलोचनाblue-lotus-eyed
नीलेन्दीवरलोचना:
Karta (कर्ता)
TypeAdjective
Rootनील + इन्दीवर + लोचन (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; बहुव्रीहिः—‘नीले इन्दीवरे इव लोचने यस्याः सा’ (blue-waterlily-eyed)
रूपेणby beauty / in form
रूपेण:
Karana (करण)
TypeNoun
Rootरूप (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/तृतीया), एकवचन; करण/हेतु-भावः (by/with respect to beauty)
अनुपमाincomparable
अनुपमा:
Karta (कर्ता)
TypeAdjective
Rootअनुपम (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण—‘अनुपमा’ (incomparable)
कालीKālī (name)
काली:
Karta (कर्ता)
TypeNoun
Rootकाली (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नामरूपेण (as a proper name)
जघन्याyoungest
जघन्या:
Karta (कर्ता)
TypeAdjective
Rootजघन्य (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण—‘जघन्या’ (youngest/last-born)
मेनकासुताdaughter of Menakā
मेनकासुता:
Karta (कर्ता)
TypeNoun
Rootमेनका + सुता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; षष्ठी-तत्पुरुषः—‘मेनकायाः सुता’ (daughter of Menakā)
Likely Pulastya to Nārada (common Vāmana Purāṇa framing; not explicit in input)
GenealogyApsaras narrativesTapas (setup)Idealized feminine beauty (Purāṇic imagery)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shringara", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

The verse foregrounds inner potential beneath outward appearance: the youngest daughter, marked by a dark (kālī) complexion, is nonetheless ‘anupamā’—incomparable—preparing the listener to value tapas and merit over superficial hierarchy (such as birth order).

This aligns most closely with Vaṃśānucarita/Carita-style narration (accounts of persons and lineages), setting up a subsequent episode involving tapas and divine encounter.

Blue-black coloration and blue-lotus eyes are conventional Purāṇic markers of auspicious, otherworldly beauty; ‘Kālī’ here functions primarily as a name/epithet of darkness, not necessarily the independent Devī Kālī theology—though the diction can evoke that resonance for later readers.