Shloka 45
The Deeds of Cyavana
in the Context of Guru-tirtha Glorification
षोडशैते महापापा अगम्यागमनं तथा । स्वामित्यागात्समुद्भूतं रणस्थानात्पलायनात्
ṣoḍaśaite mahāpāpā agamyāgamanaṃ tathā | svāmityāgātsamudbhūtaṃ raṇasthānātpalāyanāt
ಇವು ಹದಿನಾರು ಮಹಾಪಾಪಗಳು—ಅಗಮ್ಯನ ಬಳಿಗೆ ಹೋಗುವುದು ಮುಂತಾದವು; ಹಾಗೂ ಸ್ವಾಮಿಯನ್ನು ತ್ಯಜಿಸುವುದರಿಂದ ಉದ್ಭವಿಸುವ ಘೋರ ಪಾಪ, ಅಂದರೆ ರಣಸ್ಥಳದಿಂದ ಪಲಾಯನ ಮಾಡುವುದು।
Unspecified (narrative voice not given in the provided excerpt)
Concept: Mahāpāpas are systematized (sixteen), including illicit approach (agamya-gamana) and the sin born of abandoning one’s rightful lord—manifest as desertion from the battlefield.
Application: Keep commitments, do not abandon dependents or responsibilities under pressure; cultivate steadiness (dhṛti) and integrity in crises.
Primary Rasa: vira
Secondary Rasa: raudra
Type: city
Visual Art Cues: {"scene_description":"A battlefield at dawn: banners ripple, chariots stand poised, and a warrior hesitates at the edge—his shadow stretching backward as if pulled by fear. In the sky, a luminous dharma-wheel and a faint Vishnu-like radiance suggest the higher law that judges abandonment of rightful duty.","primary_figures":["A kṣatriya warrior (symbolic)","Charioteer figure (symbolic of counsel)","Dharma-wheel motif (symbolic)"],"setting":"Battlefield with chariots, standards, dust, and distant conch calls","lighting_mood":"golden dawn with tense, high-contrast atmosphere","color_palette":["dawn gold","iron gray","crimson banner red","dusty ochre","deep teal"],"tanjore_prompt":"Tanjore painting style: a heroic battlefield tableau with a richly ornamented warrior at the threshold of retreat, chariots and standards behind; a radiant dharma-cakra above with gold leaf brilliance; jewel-toned reds and greens, embossed gold for armor and halos, ornate border patterns emphasizing moral gravity and valor.","pahari_prompt":"Pahari miniature style: a refined dawn battlefield with delicate horses and banners, the hesitant warrior rendered with subtle facial emotion; soft gold sky wash, cool teal shadows, lyrical dust clouds; a symbolic dharma-wheel in the upper margin like a miniature emblem.","kerala_mural_prompt":"Kerala mural style: bold outlines of warrior, chariot, and horses; large expressive eyes conveying inner conflict; a stylized golden dharma-cakra overhead; strong reds/yellows/greens with rhythmic ornamentation and temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: a symbolic composition where the battlefield becomes a patterned ground; banners and conches as decorative motifs; central figure at a moral crossroads with a lotus-dharma emblem above; deep blue and gold with intricate borders, peacocks replaced by war-horses in stylized form."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Desh","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["conch shell","war drums (soft)","flag flapping","rising tanpura drone"]}
Sandhi Resolution Notes: ṣoḍaśa+ete → ṣoḍaśaite; svāmi-tyāgāt (svāmityāgāt); raṇa-sthānāt+palāyanāt → raṇasthānātpalāyanāt.
FAQs
It refers to an illicit or forbidden approach—going to a person who is not to be sexually or socially approached according to dharma (a prohibited relationship).
The verse frames desertion as a moral failure tied to “svāmityāga”—abandoning one’s rightful lord/leader and duty—thus condemning cowardly flight from one’s obligated station.
It highlights fidelity to dharma through restraint (avoiding forbidden conduct) and steadfastness in duty (not abandoning one’s legitimate obligations, especially in critical moments).