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Shloka 11

Bala: The Rise and Slaying of the Dānava

and the Devas’ Restoration

अन्यांश्चघातयामास दानवान्घोरदर्शनान् । एवं चैतेषु नष्टेषु दानवेषु महत्सु च

anyāṃścaghātayāmāsa dānavānghoradarśanān | evaṃ caiteṣu naṣṭeṣu dānaveṣu mahatsu ca

ಅವನು ಭಯಂಕರ ದರ್ಶನದ ಇತರ ದಾನವರನ್ನೂ ಸಂಹರಿಸಿದನು; ಹೀಗೆ ಆ ಮಹಾದಾನವರು ನಾಶವಾದಾಗ…

अन्यान्other
अन्यान्:
Karma (Direct object)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया-विभक्ति, बहुवचन; विशेषण (दानवान्) — 'other'
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक-निपात (conjunction 'and')
घातयामासslew / caused to be killed
घातयामास:
Kriyā (Action)
TypeVerb
Root√हन् (धातु) + णिच् (causative) + लिट् (लकार)
Formलिट् (परस्मैपद; कथित-परोक्शभूत/परिपूर्णभूतार्थे), प्रथमपुरुष, एकवचन; णिजन्त-धातु 'घातयति' — 'caused to be slain / slew'
दानवान्demons (Dānavas)
दानवान्:
Karma (Object)
TypeNoun
Rootदानव (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया-विभक्ति, बहुवचन
घोरदर्शनान्of terrible appearance
घोरदर्शनान्:
Viśeṣaṇa (Qualifier of object)
TypeAdjective
Rootघोर (प्रातिपदिक) + दर्शन (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया-विभक्ति, बहुवचन; कर्मधारय (घोरं दर्शनं येषाम्/घोरदर्शनाः) — adjective qualifying दानवान्
एवंthus
एवं:
Kriyāviśeṣaṇa (Manner modifier)
TypeIndeclinable
Rootएवं (अव्यय)
Formअव्यय; प्रकारवाचक-क्रियाविशेषण (thus/in this manner)
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक-निपात
एतेषुamong these / when these
एतेषु:
Adhikaraṇa (Locative context)
TypeNoun
Rootएतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग; सप्तमी-विभक्ति, बहुवचन; सर्वनाम — 'among these/when these'
नष्टेषुhaving been destroyed
नष्टेषु:
Viśeṣaṇa (Qualifier in locative absolute)
TypeAdjective
Root√नश् (धातु) + क्त (कृदन्त)
Formभूतकृदन्त (past participle, क्त); पुं/नपुंस; सप्तमी-विभक्ति, बहुवचन; विशेषण (एतेषु/दानवेषु) — 'having perished'
दानवेषुamong the Dānavas
दानवेषु:
Adhikaraṇa (Locative context)
TypeNoun
Rootदानव (प्रातिपदिक)
Formपुंलिङ्ग; सप्तमी-विभक्ति, बहुवचन
महत्सुgreat, mighty
महत्सु:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formपुंलिङ्ग; सप्तमी-विभक्ति, बहुवचन; विशेषण (दानवेषु) — 'great/mighty'
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक-निपात

Unspecified narrator (context-dependent within the Adhyaya)

Concept: When great obstacles to dharma persist, divine (or dharmic) action may be firm and uncompromising to protect the world-order.

Application: Remove harmful habits and influences decisively; protect what is sacred in life (truthfulness, duty, worship, family stability) by setting clear boundaries.

Primary Rasa: vira

Secondary Rasa: raudra

Visual Art Cues: {"scene_description":"A battlefield strewn with shattered weapons fades into calm as the last of the fearsome dānavas fall. In the center stands Hari’s avatāra presence—unshaken—while the sky clears and distant sacrificial fires begin to glow again, signaling the return of order.","primary_figures":["Vishnu (as avatāra presence, non-specific)","Fallen Dānavas","(optional) Devas returning"],"setting":"Open plain near a ritual ground; distant yajña-vedi with smoke rising; broken chariots and banners dissolving into stillness.","lighting_mood":"storm-clearing twilight","color_palette":["iron gray","smoke white","burnt umber","dull gold","deep blue"],"tanjore_prompt":"Tanjore painting style: Central divine figure of Hari with gold leaf halo standing amid subdued battlefield elements, ornate armor and jewelry; background shows a yajña-vedi with stylized flames, rich reds/greens in borders, embossed gold detailing to contrast chaos and restored sanctity.","pahari_prompt":"Pahari miniature style: Aftermath scene with delicate rendering of fallen banners and quiet returning devas; cool palette with soft gold from distant sacrificial fires, refined facial expressions conveying relief, gentle landscape gradients and lyrical composition.","kerala_mural_prompt":"Kerala mural style: Bold outlines depict the divine protector standing firm, rhythmic arrangement of subdued demon forms, stylized sacrificial altar in the background; strong earth tones with red/yellow highlights, iconic calm emerging from conflict.","pichwai_prompt":"Pichwai cloth painting style: Symbolic rather than gory—central Hari aura with lotus borders, demons rendered as dark ornamental silhouettes; deep blue cloth ground with gold motifs, yajña fire as a stylized lamp-flame pattern, intricate floral framing to emphasize dharma’s return."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["drum cadence fading","wind over a plain","distant conch","crackling sacrificial fire","brief silence between phrases"]}

Sandhi Resolution Notes: अन्यांश्चघातयामास = अन्यान् + च + घातयामास; दानवान्घोरदर्शनान् = दानवान् + घोरदर्शनान्; चैतेषु = च + एतेषु.

D
Dānavas

FAQs

Dānavas are a class of powerful beings often portrayed as adversaries of the Devas in Purāṇic literature, typically associated with chaos and opposition to dharma.

It describes the killing (or causing the killing) of other dreadful-looking Dānavas, culminating in the destruction of those mighty Dānavas.

It reinforces the recurring Purāṇic theme that forces opposing dharma are ultimately overcome, often through divinely sanctioned or heroic action.