Shloka 75
Aśokasundarī and Huṇḍa: Chastity, Karma, and the Foretold Rise of Nahuṣa
स्वजनस्य च सर्वस्य सधनस्य कुलस्य च । स द्विजो नाशमिच्छेत विशत्येव यदा गृहम्
svajanasya ca sarvasya sadhanasya kulasya ca | sa dvijo nāśamiccheta viśatyeva yadā gṛham
ಅದು ಮನೆಗೆ ಪ್ರವೇಶಿಸಿದಾಗ, ಎಲ್ಲಾ ಸಂಬಂಧಿಕರು, ಸಂಪತ್ತು ಮತ್ತು ಕುಲದ ನಾಶವನ್ನು ಬಯಸುತ್ತದೆ.
Unspecified (contextual narrator within Bhūmi-khaṇḍa; commonly framed as Pulastya instructing Bhīṣma in many Bhūmi-khaṇḍa passages, but not confirmable from the single verse alone)
Concept: A brāhmaṇa (twice-born) should embody benevolence and restraint; entering a home, he must not become a cause—by curse, intent, or conduct—of ruin to people, wealth, or lineage.
Application: When you enter others’ spaces (homes, workplaces, communities), carry goodwill: avoid harsh speech, envy, and manipulative intent; be a source of blessing, not depletion.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A calm, dignified dvija stands at the threshold of a house, hands in a gentle blessing gesture, his face composed with compassion and restraint. Inside, the household’s wealth—grain, lamps, children, and elders—appears protected by an invisible aura of auspicious speech, contrasting the earlier omen imagery.","primary_figures":["Dvija (brāhmaṇa)","Householder family"],"setting":"A village home threshold with rangoli patterns, a small lamp, and a respectful welcome scene (arghya vessel, water pot).","lighting_mood":"golden dawn","color_palette":["warm ochre","lamp gold","white cotton","leaf green","soft terracotta"],"tanjore_prompt":"Tanjore painting style: dvija at the doorway offering blessings, gold leaf highlighting the lamp, threshold patterns, and the aura of auspiciousness; rich reds and greens in textiles, detailed jewelry minimal and sattvic, composition emphasizing dharmic serenity.","pahari_prompt":"Pahari miniature style: tender domestic scene with refined faces; dvija’s gentle posture, family offering water and seat; soft dawn sky, delicate brushwork on textiles and rangoli, quiet moral warmth.","kerala_mural_prompt":"Kerala mural style: frontal dvija with large serene eyes, blessing hand; simplified household icons (grain pot, lamp, family) arranged symbolically; strong warm palette with bold outlines conveying dharma as protection.","pichwai_prompt":"Pichwai cloth painting style: threshold scene framed by floral borders; lotus motifs and auspicious kalasha patterns; deep blue border with gold highlights, the dvija’s blessing rendered as radiating lines, peacocks returning to signify restored auspiciousness."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","morning birds","water poured into arghya vessel","gentle tanpura drone"]}
Sandhi Resolution Notes: नाशमिच्छेत → नाशम् + इच्छेत; विशत्येव → विशति + एव.
FAQs
It teaches non-malice: a dvija should enter a home without harboring intentions that would harm the host’s family, wealth, or lineage.
Bhūmi-khaṇḍa often emphasizes social and ritual conduct; this verse reinforces dharma as restraint, goodwill, and protection of household welfare.
No. This shloka is primarily a moral injunction about personal conduct rather than a description of a deity, sacred place, or cosmology.