Adhyaya 87 — The Slaying of Dhumralochana and the Emergence of Kali; the Fall of Chanda and Munda (Chamunda Named)
ततः कोपं चकारोच्चैरम्बिका तानरीन् प्रति ।
कोपेन चास्या वदनं मषीवर्णमभूत्तदा ॥
tataḥ kopaṃ cakāroccair ambikā tān arīn prati / kopena cāsyā vadanaṃ maṣīvarṇam abhūt tadā
ಆಗ ಅಂಬಿಕಾ ಆ ಶತ್ರುಗಳ ಮೇಲೆ ಭಯಂಕರವಾಗಿ ಕೋಪಗೊಂಡಳು; ಆ ಕೋಪದಿಂದ ಆ ಕ್ಷಣದಲ್ಲೇ ಅವಳ ಮುಖ ಮಸಿಯ ವರ್ಣದಂತೆ (ಅತಿಶ್ಯಾಮವಾಗಿ) ಆಯಿತು।
Divine ‘anger’ here is not petty emotion but protective force: when adharma attempts violation, śakti manifests a fierce form to restore order.
Manvantara-framed dharma narrative; illustrates the governance of the cosmos through divine intervention rather than creation cycles.
The ink-dark face signals entry into the Kālī principle: the power that dissolves ego, fear, and impurity. Darkness here signifies the unconditioned, beyond-name-and-form aspect of śakti that consumes adharma.