Shloka 121

उमामहेश्वरव्रतं—पञ्चाक्षरमन्त्रस्य माहात्म्यं, न्यासः, जपविधिः, सदाचारः, विनियोगः

Devanagari script

किंचित् कर्णान्तरं विद्याद् उपांशुः स जपः स्मृतः मानसजप धिया यदक्षरश्रेण्या वर्णाद्वर्णं पदात्पदम्

Transliteration

kiṃcit karṇāntaraṃ vidyād upāṃśuḥ sa japaḥ smṛtaḥ mānasajapa dhiyā yadakṣaraśreṇyā varṇādvarṇaṃ padātpadam

Translation

ಜಪವು ಅಷ್ಟು ಮೃದುವಾಗಿ ತನ್ನದೇ ಕಿವಿಯ ಒಳಗಿನ ಅಂತರದಲ್ಲೇ ಕೇಳಿಸಿಕೊಳ್ಳುವಷ್ಟು ಇದ್ದರೆ ಅದನ್ನು ‘ಉಪಾಂಶು-ಜಪ’ ಎಂದು ಸ್ಮರಿಸುತ್ತಾರೆ. ಆದರೆ ಬುದ್ಧಿಯಿಂದ ಮಾತ್ರ, ಅಕ್ಷರಶ್ರೇಣಿಯಾಗಿ ಅಕ್ಷರ-ಅಕ್ಷರವಾಗಿ ಹಾಗೂ ಪದ-ಪದವಾಗಿ ಮಂತ್ರವನ್ನು ಪುನರಾವರ್ತಿಸುವುದು ‘ಮಾನಸ-ಜಪ’.

Word by Word

• kiñcit: slightly/just a little

• karṇāntaram: within the ear/ear’s interior (earshot of oneself)

• vidyāt: one should know/understand

• upāṁśuḥ: murmured in a low voice

• saḥ: that

• japaḥ: mantra-recitation

• smṛtaḥ: is declared/remembered (in tradition)

• mānasa-japaḥ: mental recitation

• dhiyā: by the intellect/mind

• yat: which/that

• akṣara-śreṇyā: by a series/sequence of syllables

• varṇāt varṇam: from letter to letter

• padāt padam: from word to word

Speaker

Suta (narrating the teaching on japa to the sages of Naimiṣāraṇya)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It defines two authoritative modes of Shiva-mantra japa—murmured (upāṁśu) and purely mental (mānasa)—showing how Linga-pūjā is perfected by increasingly internalized recitation.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By valuing mānasa-japa—recitation carried by pure awareness—it points to Shiva as Pati who is approached inwardly: the paśu turns from external sound to inner consciousness, loosening pāśa through disciplined attention.

What ritualistic or Yogic practice is highlighted here?

Mantra-japa as a graded sādhanā: upāṁśu (barely audible) leading toward mānasa-japa (letter-by-letter mental repetition), a key Pāśupata-style interiorization supporting dhyāna and pūjā.