अग्नित्रय-पितृवंश-रुद्रसृष्टि-वैराग्योपदेशः
निर्द्वंद्वा वीतरागाश् च विश्वात्मानो भवात्मजाः एवं स्तुत्वा तदा रुद्रान् रुद्रं चाह भवं शिवम् प्रदक्षिणीकृत्य तदा भगवान्कनकाण्डजः
nirdvaṃdvā vītarāgāś ca viśvātmāno bhavātmajāḥ evaṃ stutvā tadā rudrān rudraṃ cāha bhavaṃ śivam pradakṣiṇīkṛtya tadā bhagavānkanakāṇḍajaḥ
ಭವನ ಪುತ್ರರು ದ್ವಂದ್ವರಹಿತರು, ವೈರಾಗ್ಯವಂತರಾಗಿ ವಿಶ್ವಾತ್ಮದಲ್ಲಿ ಸ್ಥಿತರಾಗಿ ಈ ರೀತಿಯಾಗಿ ರುದ್ರರನ್ನು ಸ್ತುತಿಸಿದರು. ನಂತರ ಸ್ತುತಿ ಮುಗಿಸಿ ಭಗವಾನ್ ಕನಕಾಂಡಜನು ಪ್ರದಕ್ಷಿಣೆ ಮಾಡಿ ರುದ್ರ—ಭವ, ಶುಭ ಶಿವ—ನನ್ನು ಉದ್ದೇಶಿಸಿ ಹೇಳಿದನು.
Suta Goswami (narrating to the sages; internal action centers on Brahma addressing Shiva)
It highlights core Shaiva worship markers—stuti (hymn) followed by pradakṣiṇā (circumambulation)—showing the devotee’s approach to Śiva as Pati, the auspicious Lord worthy of reverent ritual movement and praise.
Śiva is invoked as Rudra, Bhava, and Śiva—pointing to Him as the transcendent Pati who is both the ground of becoming (Bhava) and the auspicious liberator (Śiva), approached through purified consciousness (nirdvandva, vītarāga).
Pradakṣiṇā is explicitly mentioned as a devotional rite, and the yogic ideal is implied through nirdvandva and vītarāga—traits aligned with Pāśupata discipline where the pashu loosens pāśa (bondage) by inner detachment and steady devotion to Pati.