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Agni Purana — Avatara-lila, Shloka 31

Chapter 10 — श्रीरामावतारवर्णनम्

Description of the Incarnation-Deeds of Śrī Rāma

भरद्वाजं नमस्कृत्य नन्दिग्रामं समागतः भरतेन नतश्चागाद् अयोध्यान्तत्र संस्थितः

bharadvājaṃ namaskṛtya nandigrāmaṃ samāgataḥ bharatena nataścāgād ayodhyāntatra saṃsthitaḥ

ಭರದ್ವಾಜರಿಗೆ ನಮಸ್ಕರಿಸಿ ರಾಮನು ನಂದಿಗ್ರಾಮಕ್ಕೆ ಬಂದನು. ಭರತನು ವಂದಿಸಿದ ಬಳಿಕ ರಾಮನು ಅಯೋಧ್ಯೆಗೆ ಹೋಗಿ ಅಲ್ಲಿ ವಾಸವಿಟ್ಟನು.

भरद्वाजम्Bharadvāja
भरद्वाजम्:
कर्म (Object)
TypeNoun
Rootभरद्वाज (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
नमस्कृत्यhaving saluted
नमस्कृत्य:
क्रियाविशेषण (Adverbial)
TypeVerb
Rootनमस् (अव्यय) + कृ (धातु) → नमस्कृत्य (ल्यप्)
Formल्यप्-प्रत्ययान्त अव्ययकृदन्त (Gerund), पूर्वकाल
नन्दिग्रामम्Nandigrāma
नन्दिग्रामम्:
कर्म (Goal/Object)
TypeNoun
Rootनन्दिग्राम (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; समासः—नन्दि + ग्राम
समागतःarrived
समागतः:
क्रिया (Predicate)
TypeVerb
Rootगम् (धातु) + सम्- (उपसर्ग) → समागत (कृदन्त, क्त)
Formभूतकृदन्त, पुंलिङ्ग, प्रथमा, एकवचन; कर्तरि प्रयोग
भरतेनby Bharata
भरतेन:
करण (Instrument/Agent in passive)
TypeNoun
Rootभरत (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, एकवचन
नतःwas saluted
नतः:
क्रिया (Predicate in passive)
TypeVerb
Rootनम् (धातु) → नत (कृदन्त, क्त)
Formभूतकृदन्त, पुंलिङ्ग, प्रथमा, एकवचन; कर्मणि/भावे (was bowed to / was saluted)
and
:
समुच्चय (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
अगात्went
अगात्:
क्रिया (Verb/Action)
TypeVerb
Rootगम् (धातु)
Formलङ्-लकार (Imperfect/past), परस्मैपद, प्रथम-पुरुष, एकवचन
अयोध्याम्to Ayodhyā
अयोध्याम्:
कर्म (Goal/Object)
TypeNoun
Rootअयोध्या (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
तत्रthere
तत्र:
अधिकरण (Locative sense)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
संस्थितःstayed/was established
संस्थितः:
क्रिया (Predicate)
TypeVerb
Rootस्था (धातु) + सम्- (उपसर्ग) → संस्थित (कृदन्त, क्त)
Formभूतकृदन्त, पुंलिङ्ग, प्रथमा, एकवचन; कर्तरि प्रयोग (remained/was established)

Lord Agni (narrating Purāṇic-Itihāsa material to Vasiṣṭha)

Vidya Category: {"primary_vidya":"Avatara-Katha","secondary_vidya":"Dharmashastra","practical_application":"Teaches etiquette of honoring sages and rightful succession: paying respects (Bharadvaja), reconciliation with Bharata, and lawful return to the capital.","sutra_style":false}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Homage to Bharadvāja and return via Nandigrāma to Ayodhyā","lookup_keywords":["Bharadvaja namaskara","Nandigrama","Bharata bows","Ayodhya return","Rama residence"],"quick_summary":"Rama honors the rishi Bharadvaja, meets Bharata at Nandigrama, and returns to Ayodhya to reside—depicting dharmic restoration through humility and legitimate kingship."}

Alamkara Type: Kramānuprāsa (sequential movement: rishi → Nandigrama → Ayodhya)

Concept: Guru-rishi-vandana and fraternal harmony as foundations of rājya-sthāpana (stable rule).

Application: Before assuming authority, seek blessings of elders/teachers and reconcile with stakeholders to ensure stable governance.

Khanda Section: Itihasa–Ramayana-katha (Narrative Section)

Primary Rasa: Shanta

Secondary Rasa: Karuna

Type: Tirtha/Settlement/Kingdom

Visual Art Cues: {"scene_description":"Rama bows to sage Bharadvaja in a forest hermitage; then at Nandigrama Bharata bows to Rama; finally the procession moves toward Ayodhya where Rama takes residence.","kerala_mural_prompt":"Kerala mural triptych: (1) hermitage with Bharadvaja, (2) Nandigrama meeting with Bharata prostrating, (3) Ayodhya gates and palace; bold outlines, saturated colors, ornamental frames separating scenes.","tanjore_prompt":"Tanjore: central reunion of Rama and Bharata with gold halos; side vignette of Bharadvaja āśrama; Ayodhya arch in background; heavy gold embossing on crowns and ornaments.","mysore_prompt":"Mysore: narrative clarity with three registers; delicate expressions emphasizing humility; hermitage details (kamandalu, deer, trees), then Nandigrama bowing, then Ayodhya cityscape.","mughal_miniature_prompt":"Mughal miniature: detailed hermitage scene with naturalistic trees; courtly meeting at Nandigrama; Ayodhya rendered as fortified city with gates; fine textile patterns and architectural perspective."}

Audio Atmosphere: {"recitation_mood":"peaceful","suggested_raga":"Yaman","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: नतश्चागाद् → नतः + च + अगात्; अयोध्यान्तत्र → अयोध्याम् + तत्र.

Related Themes: Agni Purana Ramayana-saṅkṣepa: return and coronation context

B
Bharadvaja
N
Nandigrama
B
Bharata
A
Ayodhya

FAQs

It conveys the dharmic protocol of honoring a ṛṣi (Bharadvāja) with namaskāra before undertaking royal or political movement, modeling correct conduct (ācāra) rather than a specialized ritual procedure.

Alongside its technical sections (ritual, polity, medicine, poetics), the Agni Purana preserves Itihāsa narrative material; this verse exemplifies its compendium style by embedding ethical-political exemplars from the Ramayana within a broader encyclopedic framework.

Saluting a realized sage and receiving/returning respectful salutations are presented as meritorious acts that purify intention, legitimize action through dharma, and strengthen auspicious outcomes for rulers and communities.