Sati’s Death and the Assault on Daksha’s Sacrifice: Virabhadra versus the Devas
एतस्मिन्नन्तरे देवीं द्रष्टुं गौतमनन्दिनी जया जगाम शैलेन्द्रं मन्दरं चारुकन्दरम्
etasminnantare devīṃ draṣṭuṃ gautamanandinī jayā jagāma śailendraṃ mandaraṃ cārukandaram
ក្នុងអំឡុងនោះ ជយា កូនស្រីរបស់គោតម បានចេញដំណើរទៅគោរពទស្សនាព្រះនាងទេវី នៅលើភ្នំមន្ទរា ជាព្រះអធិរាជនៃភ្នំ ដែលមានរូងភ្នំស្រស់ស្អាត។
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The verse emphasizes purposeful approach to the divine (darśana): spiritual progress is framed as ‘going to see’ the Goddess, i.e., seeking proximity, guidance, and blessing.
This is best classified under Ākhyāna / Vaṃśānucarita-adjacent narrative movement (story-continuation involving named figures), rather than sarga/pratisarga. It functions as connective narration within the larger discourse.
Mandara—famed as a cosmic mountain in Purāṇic imagination—often symbolizes the stable axis of tapas and divine presence; the ‘beautiful caves’ suggest hidden sanctity and interiority (guhyatva) associated with Devī’s abode.