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Shloka 14051

Brahmā’s Lotus-Birth, Puṣkara-Creation Imagery, Madhu–Kaiṭabha, and Early Genealogies

सांख्याचार्यश्च मतिमान्कपिलो ब्रह्मणां वरः । उभावपि महात्मानौ पूजितौ तत्र तत्परौ

sāṃkhyācāryaśca matimānkapilo brahmaṇāṃ varaḥ | ubhāvapi mahātmānau pūjitau tatra tatparau

នៅទីនោះ មានកបិលាអ្នកមានប្រាជ្ញា—ជាអាចារ្យសាំងខ្យៈ និងលើសគេក្នុងចំណោមអ្នកដឹងព្រហ្មន៍—ស្ថិតនៅ; ហើយមហាត្មាទាំងពីរនោះត្រូវបានគោរពបូជានៅទីនោះ ដោយចិត្តស្មោះស្រឡាញ់ និងខិតខំ។

सांख्याचार्यःthe Sāṃkhya teacher
सांख्याचार्यः:
Karta (कर्ता)
TypeNoun
Rootसांख्य + आचार्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; तत्पुरुष (सांख्यस्य आचार्यः)
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक अव्यय (conjunction)
मतिमान्intelligent
मतिमान्:
Karta (कर्ता)
TypeAdjective
Rootमतिमत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; कपिलः इति विशेष्यस्य विशेषणम्
कपिलःKapila
कपिलः:
Karta (कर्ता)
TypeNoun
Rootकपिल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन
ब्रह्मणाम्of the Brahmans / of the brahmas
ब्रह्मणाम्:
Sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), बहुवचन
वरःthe best
वरः:
Karta (कर्ता)
TypeNoun
Rootवर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन; (कपिलः इति विशेष्यस्य विशेषणार्थे)
उभाव्both
उभाव्:
Karta (कर्ता)
TypeNoun
Rootउभ (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), द्विवचन
अपिalso/indeed
अपि:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootअपि (अव्यय)
Formअव्यय (particle) समुच्चय/अपि-भाव
महात्मानौthe two great souls
महात्मानौ:
Karta (कर्ता)
TypeNoun
Rootमहत् + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), द्विवचन; कर्मधारय-समास
पूजितौhonored/worshipped
पूजितौ:
Karta (कर्ता)
TypeVerb
Rootपूज् (धातु)
Formक्त-प्रत्ययान्त (Past Passive Participle), पुंलिङ्ग, प्रथमा (1st/प्रथमा), द्विवचन
तत्रthere
तत्र:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक अव्यय (adverb of place)
तत्परौdevoted to that
तत्परौ:
Karta (कर्ता)
TypeAdjective
Rootतत् + पर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), द्विवचन; तत्पुरुष (तस्मिन् परौ = devoted to that)

Unspecified (narrative voice within Padma Purana context)

Concept: True teachers and true systems of knowledge are to be honored; wisdom becomes fruitful when joined with devotion and right intent.

Application: Respect authentic lineages and teachers; integrate analysis (sāṃkhya-like discernment) with practice (yoga-like discipline) in a devotional life.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"In a serene cosmic hall formed of lotus-petals and light, Kapila—radiant and composed—stands beside the yogic manifestation of Nārāyaṇa, both honored with garlands and offerings. Attendants and subtle celestial beings bow in reverence, suggesting that discernment (sāṃkhya) and discipline (yoga) are harmonized under divine purpose.","primary_figures":["Kapila","Nārāyaṇa (as Yogācārya)","Celestial attendants (gandharva/apsaras or sages)"],"setting":"Lotus-pavilion in the primordial realm; offering trays, garlands, incense; faint cosmic ocean beyond.","lighting_mood":"temple lamp-lit within divine glow","color_palette":["warm saffron","deep blue","gold","ivory","emerald green"],"tanjore_prompt":"Tanjore painting style: Kapila as luminous sage with matted hair and calm gaze, seated/standing beside Nārāyaṇa as yogācārya; gold leaf halos, embossed lotus pavilion, rich red-green borders; garlands, lamps, and offering plates with jewel-like detailing; traditional South Indian iconographic symmetry and ornate ornamentation.","pahari_prompt":"Pahari miniature style: intimate assembly scene with delicate brushwork; Kapila in saffron, Vishnu in blue, both with refined faces; attendants offering garlands; lotus pavilion and soft cosmic background, cool mountain-like palette adapted to celestial setting, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: bold outlines, Kapila in ochre-saffron with stylized features, Vishnu in deep blue with large eyes; offerings and garlands rendered in flat decorative forms; strong red-yellow-green palette, mural border patterns and temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: central paired figures (Kapila and Nārāyaṇa) framed by lotus garlands and floral borders; symmetrical attendants with offering trays; deep blue ground with gold highlights, intricate textile patterns, devotional stillness and ornate border work."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft bells","incense-crackle ambience (subtle)","tanpura drone","low mridangam","murmur of Vedic chanting (distant)"]}

Sandhi Resolution Notes: सांख्याचार्यश्च = सांख्याचार्यः + च; मतिमान्कपिलः = मतिमान् + कपिलः; उभावपि = उभाव् + अपि।

K
Kapila

FAQs

Kapila is identified as the Sāṃkhya teacher (sāṃkhyācārya) and praised as a foremost spiritual authority, indicating reverence for philosophical insight and realized sages.

It emphasizes the dharmic ideal of honoring great souls—showing respect, hospitality, and reverence toward realized teachers and saints.

The verse teaches that wisdom and spiritual stature deserve recognition, and that sincere devotion to a sacred purpose includes honoring exemplary teachers and great souls.