Shloka 95
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
पश्चाच्च गारुत्मतनीलरत्नैः सौम्येन वैडूर्यकपुष्परागैः । श्रीखंडखंडैरभितः प्रवालैर्लतान्वितो मौक्तिकप्रस्तराढ्यः
paścācca gārutmatanīlaratnaiḥ saumyena vaiḍūryakapuṣparāgaiḥ | śrīkhaṃḍakhaṃḍairabhitaḥ pravālairlatānvito mauktikaprastarāḍhyaḥ
ខាងលិចតុបតែងដោយរ័ត្នការុឌ និងរ័ត្នពណ៌ខៀវ ខាងជើងតុបតែងដោយវៃឌូរ្យ (ថ្មភ្នែកឆ្មា) និងបុស្ពរាគ (តូប៉ាស)។ ជុំវិញមានបំណែកឈើចន្ទន៍ និងផ្កាថ្ម ព័ន្ធជាមួយវល្លិ ហើយសម្បូរដោយផ្ទាំងមុក្កតា។
Not explicitly identifiable from the single verse (context needed from surrounding verses).
Concept: Sacred aesthetics can become devotion: perceiving fragrance, color, and abundance as meant for worship rather than consumption.
Application: Transform sensory life into sāttvika offering—use beauty (art, fragrance, cleanliness) to support prayer, mantra, and ethical living.
Primary Rasa: adbhuta
Secondary Rasa: shringara
Type: mountain
Visual Art Cues: {"scene_description":"The western face of the cosmic mountain glitters with deep blue jewels and Garuḍa-gems, while the northern-gentle quarter shimmers with cat’s-eye and topaz. Around its base, coral branches and sandalwood fragments lie like sacred offerings, and flowering creepers climb pearl-paved terraces as if the mountain is a living altar.","primary_figures":["Cosmic mountain (Meru-like)","Creeper-deities/vanadevīs (optional subtle)","Garuḍa motif (as jewel emblem)"],"setting":"Jeweled mountain terraces with pearl slabs, coral outcrops, sandalwood strewn like ritual chips, lush creepers and blossoms.","lighting_mood":"golden dawn","color_palette":["lapis blue","cat’s-eye green-gold","topaz yellow","coral red","sandalwood beige"],"tanjore_prompt":"Tanjore painting style: jeweled western slope with intense blue stones and Garuḍa-emblem gems, northern slope with vaidoorya cat’s-eye ovals and topaz highlights; pearl-slab pathways, coral clusters, sandalwood chips rendered as auspicious offerings; heavy gold-leaf filigree, rich maroon background, ornate floral creepers, temple-like symmetry.","pahari_prompt":"Pahari miniature style: delicate pearl terraces with creeping vines, coral-red accents, soft sandalwood tones; cool blue jewel fields on the west, gentle green-gold cat’s-eye shimmer; refined botanical detail, lyrical negative space, thin ink outlines and translucent washes.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized creepers and blossoms wrapping a gem-studded mountain; flat planes of deep blue, coral red, and warm yellow; pearl slabs as rhythmic white bands; ornamental Garuḍa motif integrated into jewel patterns.","pichwai_prompt":"Pichwai cloth painting style: central mountain framed by dense floral borders, pearl pathways like mandala rings, coral and sandalwood motifs as repeating offerings; deep blue jewel clusters, gold highlights, peacocks and lotus motifs subtly woven into creeper patterns."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","soft mridangam pulse","garden birds","breeze through creepers"]}
Sandhi Resolution Notes: पश्चाच्च = पश्चात् + च; प्रवालैर्लतान्वितो = प्रवालैः + लतान्वितः; मौक्तिकप्रस्तराढ्यः = मौक्तिकप्रस्तर + आढ्यः.
FAQs
A richly ornamented region or structure, described directionally (the western side), using Purāṇic imagery of gemstones, sandalwood, coral, creepers, and pearl slabs.
It denotes the “Garuḍa-gem,” traditionally identified as a brilliant green jewel (often glossed as emerald-like) used in ornate Purāṇic descriptions.
Not directly; it is primarily descriptive. Any theological or ethical emphasis would come from the broader narrative context of Adhyaya 21.