Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
उग्रायै मुखजल्पायै संजीविन्यै नमोनमः । ब्रह्मगायै ब्रह्मदायै दुरितघ्न्यै नमोनमः ॥ ८० ॥
ugrāyai mukhajalpāyai saṃjīvinyai namonamaḥ | brahmagāyai brahmadāyai duritaghnyai namonamaḥ || 80 ||
សូមនមស្ការម្តងហើយម្តងទៀតដល់ព្រះនាងដ៏កាចក្លាហាន ដែលព្រះវាចាចេញពីមាត់ជាមន្តសក្ការៈ ហើយជាអ្នកសង្គ្រោះជីវិត។ សូមនមស្ការម្តងហើយម្តងទៀតដល់ព្រះនាងដែលច្រៀងព្រះព្រហ្ម (ព្រះប្រហ្ម) ដែលប្រទានព្រះព្រហ្មវិជ្ជា និងបំផ្លាញបាប និងទុក្ខវេទនា។
Narada (as part of a hymnic praise within the Uttara-Bhaga narrative framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It venerates the Goddess as Mantra-Śakti and sacred speech—both the reviver of spiritual vitality and the remover of durita (sin/misfortune), emphasizing that divine utterance and devotion lead to purification and higher knowledge.
By offering repeated salutations and praising divine qualities, it models stotra-bhakti: remembrance and verbal worship that purifies the mind, strengthens faith, and aligns the devotee with the grace that grants brahma-jñāna.
It highlights mantra-prayoga centered on correct sacred utterance (linked to Śikṣā—phonetics and proper recitation) and the power of Vedic-style chanting/recitation implied by “brahma-gā” (reciting Brahman).