Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
पृथ्व्यै शिवामृतायै च विरजायै नमोनमः । परावरगताद्यैयै तारायै ते नमोनमः ॥ ७८ ॥
pṛthvyai śivāmṛtāyai ca virajāyai namonamaḥ | parāvaragatādyaiyai tārāyai te namonamaḥ || 78 ||
សូមនមស្ការម្តងហើយម្តងទៀតដល់ព្រះនាងជាព្រឹថ្វី (Pṛthvī) ជាអម្រឹតដ៏មង្គលនៃសិវៈ (Śivāmṛta) និងជាវិរាជា (Virajā) អស្មើស្មាន។ សូមនមស្ការម្តងហើយម្តងទៀតដល់ព្រះនាងជាអាទិទេវី ដែលលើសទាំងបរា និងអបរា (parā–aparā) និងជាតារា (Tārā)។
Suta (reciting a hymn/stuti within the Uttara-Bhaga narrative)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It offers a multi-form salutation to the Devī as the ground of existence (Earth), as purifying stainlessness (Virajā), and as the saving power (Tārā), teaching that the sacred is present in both worldly support and transcendent liberation.
By repeating “namo namaḥ” and praising the Divine in many aspects, it models bhakti as reverent remembrance (smaraṇa) and surrender to the one Reality appearing through diverse names and functions.
The verse reflects Chandas/Mantra practice through its litany-style invocation and the devotional use of epithets (nāma-bheda) for focused japa and ritual recitation, a common applied feature in Purāṇic worship.