Matsya Purana — Devayānī and Śarmiṣṭhā’s Quarrel, Shloka 12

Devanagari script

*शौनक उवाच सा विस्मयं देवयानीं गतां सक्तां च वाससि शर्मिष्ठा प्राक्षिपत्कूपे ततः स्वपुरमाविशत् //

Transliteration

*śaunaka uvāca sā vismayaṃ devayānīṃ gatāṃ saktāṃ ca vāsasi śarmiṣṭhā prākṣipatkūpe tataḥ svapuramāviśat //

Translation

សោណកៈបាននិយាយថា បន្ទាប់មក សර්មិષ્ઠា ឃើញ ទេវយានី ស្ថិតក្នុងភាពភ្ញាក់ផ្អើល និងសម្លៀកបំពាក់ជាប់ ក៏បោះនាងចូលអណ្តូង ហើយបន្ទាប់មក នាងចូលទៅក្រុងរបស់ខ្លួន។

Word by Word

• śaunaka uvāca: Śaunaka said

• sā: she (Śarmiṣṭhā)

• vismayam: astonishment, stupefaction

• devayānīm: Devayānī (proper name)

• gatām: having come/being in that state

• saktām: stuck, entangled

• ca: and

• vāsasi: in the garment/clothing

• śarmiṣṭhā: Śarmiṣṭhā (proper name)

• prākṣipat: threw, cast

• kūpe: into a well

• tataḥ: then, thereafter

• svapuram: her own town/city

• āviśat: entered

Speaker

• Śaunaka

Entities Mentioned

• Śaunaka
• Devayānī
• Śarmiṣṭhā

Tags

• Yayati
• Dynasties
• Genealogy
• Puranic Narrative
• Dharma

FAQs

What does this verse reveal about the creation or dissolution (Pralaya)?

Nothing directly—this verse is part of a dynasty-linked narrative (Devayānī–Śarmiṣṭhā) and does not describe cosmic creation or Pralaya.

How does this verse relate to the duties of a King or Householder?

It functions as moral narrative background: jealousy and humiliation lead to wrongdoing, setting up later consequences in the Yayāti lineage—an implicit warning for rulers and householders to restrain anger and act with dharma.

What is the architectural or ritual significance mentioned here?

No Vāstu/ritual instruction appears here; the only physical detail is a well (kūpa) used in the storyline, not as a technical architectural rule.