Shloka 64

Veṅkaṭeśa-Māhātmya: Varāha Prelude, Descent of Śeṣācala, Svāmipuṣkariṇī and the Network of Tīrthas

with Dāna-Lakṣaṇas

चक्रद्वयसमायुक्तं गौपूरैः पञ्चभिर्युतम् / चापबाणसमायुक्तमनतं कुण्डलाकृतिम्

cakradvayasamāyuktaṃ gaupūraiḥ pañcabhiryutam / cāpabāṇasamāyuktamanataṃ kuṇḍalākṛtim

វាមានចក្រ២ ប្រកបជាមួយ ហើយភ្ជាប់ដោយ «គោពូរ» ប្រាំ; មានធ្នូ និងព្រួញជាសម្ភារៈ; មិនបត់បែន ហើយមានរាងដូចក្រវិល (រាងចិញ្ចៀន)។

cakradvaya-samāyuktamendowed with two cakras
cakradvaya-samāyuktam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootcakra-dvaya + samāyukta (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative/Accusative (1st/2nd), Singular (एकवचन); past participle (क्त) from sam-ā-√yuj (युज्) ‘joined’; compound: ‘joined with two discs’
gaupūraiḥwith cow-hoof-marks/‘gopūras’
gaupūraiḥ:
Karaṇa (करण)
TypeNoun
Rootgo-pūra (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (3rd/तृतीया), Plural (बहुवचन); समासः—go + pūra (तत्पुरुष)
pañcabhiḥwith five
pañcabhiḥ:
Saṅkhyā-viśeṣaṇa (संख्या-विशेषण)
TypeAdjective
Rootpañcan (संख्या-प्रातिपदिक)
FormInstrumental (3rd/तृतीया), Plural (बहुवचन); numeral used adjectivally
yutamendowed/connected
yutam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootyuta (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative/Accusative (1st/2nd), Singular (एकवचन); past participle (क्त) from √yuj (युज्) ‘joined/endowed’
cāpabāṇa-samāyuktamjoined with bow and arrow
cāpabāṇa-samāyuktam:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootcāpa-bāṇa + samāyukta (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative/Accusative (1st/2nd), Singular (एकवचन); kta participle; compound: cāpa + bāṇa (द्वन्द्व) as the instrument/association
anataṃbent/curved
anataṃ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootanata (प्रातिपदिक)
FormNeuter (नपुंसकलिङ्ग), Nominative/Accusative (1st/2nd), Singular (एकवचन); past participle (क्त) from √nam (नम्) with prefix a-?; here ‘bent/curved’ (anata = namita)
kuṇḍalākṛtimof earring-like shape
kuṇḍalākṛtim:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootkuṇḍala-ākṛti (प्रातिपदिक)
FormFeminine (स्त्रीलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन); used adjectivally ‘having the form of an earring’; समासः—kuṇḍalasya ākṛtiḥ (षष्ठी-तत्पुरुष)

Lord Vishnu (narrating to Garuda/Vinata-putra)

Concept: Divine marks (cakra, āyudha) indicate Viṣṇu’s presence; recognizing them supports focused devotion and correct ritual handling.

Vedantic Theme: Saguṇa-brahma upāsanā through symbols; mind’s one-pointedness (ekāgratā) aided by form and attributes.

Application: Use symbolic contemplation: meditate on cakra (dharma/ṛta), bow-arrow (aimed resolve), and ring-form (wholeness) while performing worship or dāna.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Related Themes: Garuda Purana iconographic/lakṣaṇa passages for Viṣṇu forms and Śālagrāma varieties (contextual)

G
Garuda
Y
Yama

FAQs

It gives a technical description of an infernal implement/device associated with Yama’s punitive system, emphasizing the concrete, structured nature of consequences for wrongdoing.

By describing the apparatus of Yama’s realm, it situates the soul’s post-death journey within a moral-judicial order where specific instruments correspond to specific karmic outcomes.

It reinforces ethical restraint and dharmic living: actions have results, and the tradition urges repentance, charity, and proper rites to avoid harmful karmic trajectories.