The Saptarishis Seek Uma for Shiva: Himavan Grants the Marriage
सा बद्धा सिस्थिता ब्रह्मन् तत्रैव गिरिकन्यका आपोमयी प्लावयन्ती ब्रह्मणो विमला जटाः
sā baddhā sisthitā brahman tatraiva girikanyakā āpomayī plāvayantī brahmaṇo vimalā jaṭāḥ
おおブラーフマナよ、その山の乙女は縛られて、まさにその場に留め置かれた。水の本性となった彼女は、ブラフマーの清浄なるジャター(結髪)を濡らし、浸し尽くした。
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Unregulated power—even when ‘pure’ in essence—can overwhelm its container; hence dharma requires restraint (bandhana) and proper placement of energies before they become constructive.
Primarily aligns with Sarga/Pratisarga-type material (cosmogonic motifs around Brahmā and emergent forces), rather than Vaṃśānucarita or Vāmana-Bali narrative.
Brahmā’s jaṭā can symbolize the ascetic ‘repository’ of creative potency; the āpomayī girikanyā suggests fluid, overflowing śakti that must be ritually/cosmically contained to sustain order.