Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
यस्त्वां यदा पश्यति चैत्रमासे स्पृशेन्नरो वार्चयते च भक्त्या वृद्धो ऽथ बालो ऽथ युवाथ योषित् सर्वे तदोन्मादधरा भवन्ति
yastvāṃ yadā paśyati caitramāse spṛśennaro vārcayate ca bhaktyā vṛddho 'tha bālo 'tha yuvātha yoṣit sarve tadonmādadharā bhavanti
チャイトラ月に、汝を見、あるいは人が汝に触れ、または信愛(バクティ)をもって汝を礼拝する者は—老人であれ、子であれ、若者であれ、女であれ—皆その時、unmāda(狂乱・恍惚)を担う者となる。
{ "primaryRasa": "adbhuta", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Devotional contact—seeing, touching, worshipping—when aligned with sacred time (Caitra) is said to transform all social categories equally, implying a leveling force of bhakti that overrides age and gender distinctions.
Dharma/ācāra-oriented narrative insert (often embedded in Purāṇic carita): it prescribes/validates ritual efficacy tied to kāla (time), a common Purāṇic strategy for sacralizing calendrical observance.
‘Unmāda’ can be read as devotional ecstasy (bhāva) rather than pathology: the boon makes the devotee ‘mad’ with joy, signaling a liminal state where ordinary decorum yields to sacred rapture.