Harihara Revelation and the Kurukshetra Tirtha Cycle: Sthanu in Vishnu and the Sanctification of Saptasarasvata
मोकारो भुजयोर्युग्मं मिथुनस्तत्र संस्थितः मासो आषाढनामा च तृतीयं पत्रकं स्मृतम्
mokāro bhujayoryugmaṃ mithunastatra saṃsthitaḥ māso āṣāḍhanāmā ca tṛtīyaṃ patrakaṃ smṛtam
音節「モ(mo、すなわちmaにo母音を伴う音)」は両腕に置かれ、そこにミトゥナ(双子宮)が位置する。アーシャーダ月(Āṣāḍha)は第三の「葉(花弁)」として記憶される。
{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Arms symbolize action (karma) and ritual performance (offering, bathing, giving). Assigning a syllable to the arms integrates sound (mantra) with embodied ritual agency, reinforcing that the tīrtha’s power is accessed through performed acts aligned with cosmic order.
Mithuna literally suggests ‘pairing’ or ‘twin-ness’, which resonates with the verse’s ‘pair of arms’ (yugma). The mapping is not only sequential but also associative, linking semantic imagery (pair/twins) with bodily duality.
Yes—like ‘nakāra’ for ‘na’, ‘mokāra’ denotes the phoneme ‘mo’. Such kāra-terms are common in Sanskrit grammatical and ritual registers to refer precisely to syllabic units used in mantra and symbolic mappings.