अन्ये च विविधां पूजां जपमन्ये समाहिताः । एके नृत्यंति राजेंद्र गायंति च तथा परे
anye ca vividhāṃ pūjāṃ japamanye samāhitāḥ | eke nṛtyaṃti rājeṃdra gāyaṃti ca tathā pare
ある者はさまざまなプージャーを修し、またある者は心を統一してジャパ(真言誦持)に励んだ。ある者は舞い、王の中の王よ、また別の者は歌を捧げた。
Narrator (contextual Purāṇic storyteller within Prabhāsa Khaṇḍa)
Tirtha: Arbuda-liṅga-sthāna
Type: temple
Listener: rājendra (king of kings) addressed directly
Scene: Inside a temple courtyard, multiple groups: priests performing pūjā, ascetics seated in japa, and devotees dancing and singing in a devotional circle, all oriented toward the liṅga.
Bhakti includes many legitimate expressions—ritual worship, mantra repetition, and heartfelt song and dance.
The worship activities occur at the Acaleśvara shrine in Arbuda.
Pūjā and japa are mentioned, along with devotional singing and dancing as acts of worship.