Saṃjñā–Chāyā Upākhyāna: Sūrya-tejas, Substitution, and the Birth of Manu, Yama, and Yamunā
कृतं कांततरं रूपं त्वष्ट्रा तच्छुशुभे तदा । ततोभियोगमास्थाय स्वां भार्य्यां हि ददर्श ह
kṛtaṃ kāṃtataraṃ rūpaṃ tvaṣṭrā tacchuśubhe tadā | tatobhiyogamāsthāya svāṃ bhāryyāṃ hi dadarśa ha
その後、トヴァシュトリはさらに美しい姿を造り上げ、それは見事に輝いた。そして、激しい憧れに駆られて、彼は自らの妻を見つめた。
Suta Goswami
Tattva Level: pashu
Role: creative
It highlights how heightened beauty can intensify desire, pointing to the Shaiva Siddhanta insight that attachment (a form of pāśa/bondage) arises when consciousness turns outward; liberation requires redirecting attention toward Pati (Shiva) rather than sense-driven impulse.
By contrasting sense-attraction with inner steadiness, it implicitly supports Saguna Shiva worship—fixing the mind on Shiva’s auspicious form in the Liṅga—so the same mental force that fuels longing is purified into bhakti and one-pointedness.
A practical takeaway is desire-restraint supported by japa of the Pañcākṣarī (“Om Namaḥ Śivāya”) and steady dhyāna on the Shiva-liṅga, using daily discipline to transform agitation into devotion.