Mantra 2
Saura (solar) ordering of time and rite: the Sun’s course, Dawn’s lawful arrival, and the hymn’s power to set the gods in motion and seat them in sacrifice
इमे हि ते ब्रह्मकृतः सुते सचा मधौ न मक्ष आसते इन्द्रे कामं जरितारो वसूयवो रथे न पादमा दधुः
ime hi te brahmakṛtaḥ sute sacā madhau na makṣa āsate indre kāmaṃ jaritāro vasūyavo rathe na pādamā dadhuḥ
imé(2) hí(2) te(2) brahmakṛ́taḥ(2) suté(2) sacā́(2) mádhau(2) na(2) makṣé(2) āsate(2) índre(2) kā́maṃ(2) jaritā́ro(2) vasū́yavo(2) rathé(2) na(2) pā́damā(2) dadhúḥ(2)
これらは、ブラフマンの祈りによって織り成された汝の讃歌。搾り出されたソーマ(soma)とともに、蜜のような歓喜の昂ぶりの中に憩い住む。インドラよ、富を望む詠い手たちは、意のままに、まるで戦車に足場を据えるように、汝のために踏み所を定めた。
ime | hi | te | brahma-kṛtaḥ | sute | sacā | madhau | na | makṣe | āsate | indre | kāmam | jaritāraḥ | vasūyavaḥ | rathe | na | pādamā | dadhuḥ
Unknown/unspecified (requires gāna mapping for UA 4.8.2.06.02)
{ "prastava": null, "udgitha": null, "pratihara": null, "upadrava": null, "nidhana": null, "structure_notes": "A natural division is: crafted hymns + pressed soma (setup), honeyed abiding (expansion), praisers’ desire (turn), ‘footing placed’ (seal). This maps well to udgītha climax and nidhana nyāsa.", "singer_assignments": "Udgātṛ emphasizes the ‘abiding’ center; collective nidhana underscores the established ‘seat’ for Indra." }
{ "gloss_summary": "Sāyaṇa reads ‘brahmakṛtaḥ’ as stotras fashioned by mantra and rite; ‘sute’ anchors the verse to soma-pressing; ‘pādamā dadhuḥ’ is establishing a secure place/seat/footing for Indra in the ritual.", "ritual_interpretation": "The stotra is declared co-present with pressed soma; this co-presence is what seats Indra so he can accept and bestow boons.", "theological_insight": "Brahman (sacred speech) becomes effective when joined to soma; divine ‘abiding’ is produced by correct formation and timely offering.", "etymology_highlights": "brahma-kṛta: ‘made/constructed by brahman’; pādamā: ‘as a step/footing’—metaphor for ritual seat and access." }