लङ्कादाह-प्रचोदनं तथा वानर-राक्षस-समरारम्भः
The Burning of Lanka and the Outbreak of Battle
पताकाध्वजसंसक्तमुत्तमासिपरश्वधम् ।भीमाश्वरथमातङ्गंनानापततिसमाकुलम् ।।।।दीप्तशूलगदाखडगप्रासतोमरकार्मुकम् ।तद्राक्षसबलंघोरभीमंविक्रमपौरुषम् ।।।।ददृशेज्वलितप्रासंकिङ्किणीशतनादितम् ।हेमजालाचितभुजंव्यावेष्टितपरश्वथम् ।।।।व्याघूर्णितमहाशस्त्रंबाणसंसक्तकार्मुकम् ।गन्धमाल्यमधूत्सेकसम्मोदितमहानिलम् ।।।।
patākādhvajasaṃsaktam uttamāsiparaśvadhām |
bhīmāśvarathamātaṅgaṃ nānāpatatisamākulam ||
dīptaśūlagadākhaḍgaprāsatomarakārmukam |
tad rākṣasabalaṃ ghoraṃ bhīmaṃ vikramapauruṣam ||
dadṛśe jvalitaprāsaṃ kiṅkiṇīśatanāditam |
hemajālācitabhujaṃ vyāveṣṭitaparaśvadhām ||
vyāghūrṇitamahāśastraṃ bāṇasaṃsaktakārmukam |
gandhamālyamadhūtsekasammoditam ahānilam ||
そのとき羅刹の軍勢が見えた――恐ろしくも強大で、旗幟と幟が密に立ち、優れた剣と斧を携え、凄まじい戦車・馬・象に満ち、さまざまな歩兵で入り乱れていた。三叉戟、棍棒、剣、槍、投槍、弓が炎のごとく輝き、武人たちは武勇と力において畏るべき者であった。きらめく飛び道具が見え、百の鈴の響きが轟き渡る。黄金で飾られた腕は斧を振るい、大いなる武器はうなりを上げて回り、弓には矢がつがえられていた――そして強い風が花鬘と香の薫りを運んだ。
Then the Rakshasa army appeared terrific, fixed with flags and poles, equipped with best of axes, horses yoked to formidable chariots and elephants different kinds of foot soldiers, distinguished by wielding shining tridents, maces, swords spears and lances warriors of frightening valour and prowess holding shining barbed missiles hundreds of tiny bells tied to the chariots and elephants making noise warriors endowed with arms decorated with gold, with axes and weapons to pierce arrows fixed to the bows, with an abundance of fragrance.
Dharma is contrasted with intimidation: the army’s terrifying display shows how power can be used to overwhelm. The Ramayana repeatedly implies that true righteousness is not mere might, but restrained and principled use of strength.
The narrator presents a detailed visual catalogue of the Rākṣasa forces—standards, troops, weapons, noise, and splendor—at the height of the night confrontation.
On the surface, martial prowess; ethically, the scene sets up the need for the opposing side’s steadiness and self-control—courage that does not collapse before spectacle.