अयोध्याकाण्डे पञ्चषष्टितमः सर्गः — Daśaratha’s Death Discovered in the Palace
Morning Rites Turn to Lament
व्याहृताः पुण्यशब्दाश्च वीणानां चापि निस्स्वनाः।आशीर्गेयं च गाथानां पूरयामास वेश्म तत्।।।।
vyāhṛtāḥ puṇyaśabdāś ca vīṇānāṁ cāpi nissvanāḥ | āśīrgēyaṁ ca gāthānāṁ pūrayāmāsa veśma tat ||
聖なる唱和の声、ヴィーナーの澄んだ響き、そして韻律ある讃歌の祝福の歌が、その宮殿の広間を余すところなく満たした。
The sacred songs of bards and panegyrists, notes of veena, chantings of metrical hymns and benedictory verses filled the palace.
Dharma is upheld through maṅgala (auspicious) speech and art: sacred sound and disciplined performance are treated as supports of social and ritual order.
Multiple streams of sound—chants, instruments, and benedictions—combine to create a ceremonial atmosphere inside the palace.
Reverence and cultural refinement—valuing sacred utterance and regulated artistry in public life.
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