Shloka 91
The Five Great Sacrifices: Supremacy of Honoring Parents, Pativrata Dharma, Truthfulness, and Śrāddha
नास्ति सत्यात्परो धर्मो नानृतात्पातकं परम् । विशेषे समभावस्य पुरुषस्यानघस्य च
nāsti satyātparo dharmo nānṛtātpātakaṃ param | viśeṣe samabhāvasya puruṣasyānaghasya ca
真実に勝るダルマはなく、虚偽に勝る罪はない——とりわけ、すべてに平等心を保つ無垢なる人において。
Unspecified (narrative voice not provided in the excerpt)
Concept: Truthfulness is the highest dharma; falsehood is the greatest sin—especially for one who is otherwise blameless and committed to equal-mindedness.
Application: Practice truthful speech aligned with kindness; avoid self-serving distortions; cultivate impartiality (samabhāva) so truth is not weaponized by attachment or aversion.
Primary Rasa: shanta
Secondary Rasa: vira
Visual Art Cues: {"scene_description":"A calm ascetic stands at a crossroads where three paths—friend, enemy, and neutral—converge, holding a lamp labeled ‘satya’ that illuminates all equally. Shadows shaped like falsehood dissolve at the edge of the light, while a faint Viṣṇu-emblem (śaṅkha-cakra) appears in the lamp’s halo, implying divine sanction of truth.","primary_figures":["a blameless sage/householder embodying samabhāva","allegorical figures of Truth and Falsehood (subtle)"],"setting":"forest-edge crossroads with a small dharma-stambha, distant temple silhouette","lighting_mood":"divine radiance","color_palette":["ivory white","lamp-gold","forest green","midnight blue","vermillion"],"tanjore_prompt":"Tanjore painting style: central figure holding a radiant satya-lamp, gold leaf halo expanding to touch three path-markers; falsehood as dark serpentine forms retreating; ornate arch with śaṅkha-cakra motifs, rich reds and greens, gem-like highlights on the lamp and ornaments.","pahari_prompt":"Pahari miniature style: lyrical crossroads in a gentle forest, delicate lamp glow, refined facial serenity; subtle allegorical shadows of anṛta fading; cool blues and greens with warm gold wash around the lamp; fine detailing on leaves and path stones.","kerala_mural_prompt":"Kerala mural style: bold outlines, large expressive eyes, the satya-lamp as a circular mandala; three paths clearly segmented; natural pigments with dominant yellow-red-green; stylized falsehood forms dissolving at the border of the light.","pichwai_prompt":"Pichwai cloth painting style: satya-lamp as a central lotus-mandala, floral borders, peacocks perched on path markers; deep blue ground with gold highlights; subtle Viṣṇu symbols woven into the border pattern."}
Audio Atmosphere: {"recitation_mood":"authoritative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["single temple bell strikes","steady tanpura drone","forest hush","soft conch at cadence"]}
Sandhi Resolution Notes: nāsti → na asti; satyātparo → satyāt paraḥ; nānṛtāt → na anṛtāt; puruṣasyānaghasya → puruṣasya anaghasya.
FAQs
It teaches that truthfulness (satya) is the highest form of dharma, while falsehood (anṛta) is the gravest sin, undermining moral and spiritual integrity.
Because a person committed to equanimity (samabhāva) and blameless conduct (anagha) is expected to embody truth consistently; falsehood would be a sharper contradiction of their spiritual discipline.
Sṛṣṭikhaṇḍa frequently frames cosmic and social order through dharma; this verse condenses that outlook into a practical moral hierarchy: truth sustains order, falsehood destabilizes it.