Shloka 28
The Greatness of the Gaṇḍakī River and the Śālagrāma Stone
अपि पापसमाचारो ब्रह्महत्यायुतोऽपि वा । शालग्रामशिलातोयं पीत्वा याति परां गतिम्
api pāpasamācāro brahmahatyāyuto'pi vā | śālagrāmaśilātoyaṃ pītvā yāti parāṃ gatim
たとえ罪深い行いの者であっても—たとえ婆羅門殺しの罪を負う者であっても—シャーラグラーマ聖石を洗った水を飲めば、至上の境地に至る。
Unspecified in the provided extract (context not supplied)
Concept: Contact with Viṣṇu’s arcā (Śālagrāma) and its tīrtha-water grants liberation even to the gravely fallen when received with faith.
Application: Keep a simple daily practice: offer clean water to Śālagrāma/Viṣṇu, then reverently partake of a small amount as pādāmṛta while reciting Viṣṇu-nāma and resolving to abandon harmful conduct.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A remorseful sinner kneels before a small altar where a dark, spiral-marked Śālagrāma rests on a lotus pedestal. A priest pours crystal water over the stone; the runoff gathers in a copper cup, glowing with a soft blue-gold aura as the devotee drinks, while shadowy stains dissolve into light behind him.","primary_figures":["Śālagrāma (Viṣṇu arcā)","penitent devotee","Vaiṣṇava priest/sage"],"setting":"Riverside shrine with tulasī pots, conch and bell, and a simple stone sanctum; distant Gandakī-like river and sal trees.","lighting_mood":"divine radiance","color_palette":["sapphire blue","gold leaf","river-silver","basalt black","tulasi green"],"tanjore_prompt":"Tanjore painting style: Śālagrāma on a lotus pedestal receiving abhiṣeka, copper vessel catching pādāmṛta, penitent devotee drinking with folded hands; heavy gold leaf halo around the altar, rich vermilion and emerald borders, gem-studded ornaments on ritual vessels, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: intimate riverside pūjā scene with delicate brushwork; Śālagrāma on a small altar, sage pouring water, devotee sipping from a copper cup; cool misty river valley, slender trees, refined faces, subtle spiritual glow in the water stream.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; central altar with Śālagrāma and flowing abhiṣeka stream, large expressive eyes on the priest and devotee, red-yellow-green palette, temple wall aesthetic with ornamental creepers and lotus bands.","pichwai_prompt":"Pichwai cloth painting style: Vaiṣṇava altar centered with Śālagrāma and pādāmṛta, surrounded by lotus motifs, peacocks, and floral borders; deep indigo background with gold highlights, conch and bell motifs in corners, devotional symmetry reminiscent of Nathdwara textiles."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","flowing water","soft mantra hum","silence between lines"]}
Sandhi Resolution Notes: ब्रह्महत्यायुतोऽपि = ब्रह्महत्यायुतः + अपि (विसर्ग-सन्धि: ः + अ → ओऽ); शालग्रामशिलातोयं = शालग्रामशिला + तोयम् (समास/सन्धि)।
FAQs
It refers to drinking the water used to wash/bathe a Śālagrāma-śilā—commonly understood in Vaiṣṇava practice as Śālagrāma-caraṇāmṛta—praised here as highly purifying.
By presenting contact with a Viṣṇu-associated sacred object (Śālagrāma) as spiritually transformative even for grave sinners, the verse highlights devotion-centered grace and sanctifying remembrance of the divine.
It underscores hope for moral and spiritual renewal: however severe one’s wrongdoing, one should turn toward purifying, dharma-aligned devotional practices rather than despair.