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Shloka 7

The Churning of the Ocean

Milk Ocean Episode: Kālakūṭa, Hari-nāma, and Alakṣmī/Jyeṣṭhā

महामंत्रप्रभावेण विषं जीर्णं गतं महत् । अच्युतानंतगोविंद इति नामत्रयं हरेः

mahāmaṃtraprabhāveṇa viṣaṃ jīrṇaṃ gataṃ mahat | acyutānaṃtagoviṃda iti nāmatrayaṃ hareḥ

大真言の力によって、恐るべき毒は消化されて去った。「アチュタ、アナンタ、ゴーヴィンダ」――これがハリの三つの御名である。

महामन्त्रप्रभावेणby the power of the great mantra
महामन्त्रप्रभावेण:
Karana (Instrument/करण)
TypeNoun
Rootमहामन्त्र (प्रातिपदिक) + प्रभाव (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/करण), एकवचन; समासः—षष्ठी-तत्पुरुषः (महामन्त्रस्य प्रभावः)
विषम्poison
विषम्:
Karma (Object/कर्म)
TypeNoun
Rootविष (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन
जीर्णम्digested, neutralized
जीर्णम्:
Karma (Object/कर्म)
TypeAdjective
Rootजॄ (धातु) → जीर्ण (कृदन्त)
Formभूतकृदन्त (क्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विषम् इति पदस्य विशेषणम्
गतम्gone, removed
गतम्:
Karma (Object/कर्म)
TypeAdjective
Rootगम् (धातु) → गत (कृदन्त)
Formभूतकृदन्त (क्त), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विषम् इति पदस्य विशेषणम्
महत्great, intense
महत्:
Karma (Object/कर्म)
TypeAdjective
Rootमहत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; विषम् इति पदस्य विशेषणम्
अच्युतAcyuta
अच्युत:
Visheshya (Apposition/विशेष्य)
TypeNoun
Rootअच्युत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन; नाम (हरिनाम)
अनन्तAnanta
अनन्त:
Visheshya (Apposition/विशेष्य)
TypeNoun
Rootअनन्त (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
गोविन्दGovinda
गोविन्द:
Visheshya (Apposition/विशेष्य)
TypeNoun
Rootगोविन्द (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; नाम
इतिthus
इति:
Sambandha (Quotative/सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formइति-शब्दः; उद्धरण/समाप्त्यर्थक अव्यय
नामत्रयम्the triad of names
नामत्रयम्:
Karma (Object/कर्म)
TypeNoun
Rootनामन् (प्रातिपदिक) + त्रय (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः—द्विगुः (त्रयाणि नामानि)
हरेःof Hari
हरेः:
Shashthi-sambandha (Genitive/षष्ठीसम्बन्ध)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/सम्बन्ध), एकवचन

Unspecified (narrative voice within the chapter context)

Concept: Hari’s names function as a great mantra whose śakti neutralizes even cosmic poison; nāma is not mere sound but salvific presence.

Application: Use a short tri-nāma japa as a daily ‘antidote’ to inner toxins—anger, fear, despair—especially at the start/end of day.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: celestial_realm

Visual Art Cues: {"scene_description":"A dark, swirling poison cloud dissolves into harmless mist as luminous syllables—Acyuta, Ananta, Govinda—arc across the sky like a protective garland. Devas exhale in relief while the cosmic ocean gleams, newly calm after the danger passes.","primary_figures":["Devas (Indra and companions)","Śiva (implied agent of mantra)","Hari-nāma (as radiant calligraphy/auric form)"],"setting":"The churning site at the Milk Ocean with Mandara mountain and serpent-rope suggested in the background; foreground shows dissipating poison over the waves.","lighting_mood":"golden dawn","color_palette":["pearl white","aqua blue","golden amber","inky black","lotus pink"],"tanjore_prompt":"Tanjore painting style: the Milk Ocean rendered with stylized wave patterns, gold leaf highlights; radiant Sanskrit calligraphy ‘अच्युतानंतगोविंद’ forming a haloed garland in the sky; devas with jeweled crowns in rich reds/greens, the poison cloud in glossy black fading into gold-tinged mist.","pahari_prompt":"Pahari miniature style: soft gradients of ocean-blue, delicate devas on a shoreline, a dark poison plume thinning as luminous name-letters float like fireflies; refined linework, gentle dawn sky, Mandara hinted in pale silhouette.","kerala_mural_prompt":"Kerala mural style: bold outlines, flat fields of color; a dramatic black poison mass breaking apart under a bright yellow-gold band of mantra-letters; devas in rhythmic poses, ocean as patterned teal bands.","pichwai_prompt":"Pichwai cloth painting style: decorative ocean scene with lotus borders; the three names of Hari arranged as a floral garland motif; peacocks and lotuses framing the dissolving poison cloud, deep blue ground with gold detailing."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["conch shell swell","temple bells","ocean surf","choral response on the three names"]}

Sandhi Resolution Notes: महामंत्रप्रभावेण = महा + मन्त्र + प्रभावेण (समास); अच्युतानंतगोविंद = अच्युत + अनन्त + गोविन्द (पदानि पृथक्); नामत्रयं = नाम + त्रयम् (द्विगु-समास)

H
Hari
A
Acyuta
A
Ananta
G
Govinda

FAQs

It is the triad “Acyuta, Ananta, Govinda,” presented as three sacred names of Hari (Viṣṇu).

It states that through the power of the great mantra, even a terrible poison becomes digested and disappears—highlighting mantra/nāma as spiritually and symbolically transformative.

It underscores reliance on nāma-smaraṇa (remembering/reciting divine names) as a protective, purifying practice—encouraging steady devotion and trust in Hari.