Shloka 31
The Glory of the Mother-and-Father Tīrtha
Within the Vena Episode
श्रुतिरेव वदत्येवं तं वक्तुं शंकितेव सा । अपाणिपादनासश्च अकर्णो मुखवर्जितः
śrutireva vadatyevaṃ taṃ vaktuṃ śaṃkiteva sā | apāṇipādanāsaśca akarṇo mukhavarjitaḥ
このようにシュルティ自らが語る——しかし彼女はなお、彼を述べることをためらうかのようだ。彼は手も足も鼻もなく、耳もなく、口さえも持たれない。
Narrator (Śruti/Vedic testimony is personified as speaking)
Concept: The Supreme is beyond bodily attributes; even Śruti approaches Him via negation (neti-neti) and guarded speech.
Application: Cultivate humility in theological speech; avoid reducing the Divine to mere anthropomorphism—pair icon worship with contemplation of transcendence.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"Personified Śruti appears as a luminous Vedic goddess holding palm-leaf manuscripts, her lips slightly parted as if to speak, yet her gaze turns inward in hesitation. Behind her, an immense formless radiance suggests the Lord beyond limbs—only a haloed void with subtle lotus and conch motifs emerging and dissolving.","primary_figures":["Śruti-devī (personified Veda)","Formless Nārāyaṇa as boundless radiance"],"setting":"A quiet hermitage pavilion with a low altar, Vedic manuscripts, and a faint cosmic backdrop where stars fade into a golden mist.","lighting_mood":"divine radiance","color_palette":["gold leaf","smoky indigo","lotus pink","ivory white","deep emerald"],"tanjore_prompt":"Tanjore painting style: Śruti-devī seated on a small lotus pedestal holding Veda-granthas, ornate crown and jewelry, heavy gold leaf halo; behind her a vast circular aureole representing formless Nārāyaṇa with subtle conch-chakra-lotus emblems embossed in gold, rich maroon and emerald background, gem-studded ornaments, temple-like frame.","pahari_prompt":"Pahari miniature style: delicate Śruti-devī in pale ivory garments with fine linework, holding manuscripts; a soft Himalayan-sky gradient behind her where a luminous, limb-less presence is suggested by a glowing circle and faint lotus outlines; lyrical trees and a quiet ashram veranda, refined facial features and cool indigo shadows.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Śruti-devī with large expressive eyes and stylized ornaments, seated near a manuscript stand; behind her a massive golden mandala indicating the indescribable Lord, natural pigment reds/yellows/greens, temple-wall aesthetic with patterned borders.","pichwai_prompt":"Pichwai cloth painting style: central radiant mandala for Nārāyaṇa with lotus motifs and subtle shankha-chakra patterns; Śruti-devī at the lower edge offering a manuscript garland; intricate floral borders, deep blue ground with gold highlights, peacocks and lotuses framing the apophatic center."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["silence","soft tanpura drone","distant temple bells","gentle conch shell"]}
Sandhi Resolution Notes: श्रुतिरेव = श्रुतिः + एव; वदत्येवम् = वदति + एवम्; शंकितेव = शङ्किता + इव; पादनासश्च = पादनासः + च; अपाणिपादनासः = अ + (पाणि-पाद-नास) (समास); मुखवर्जितः = मुख + वर्जितः (समास)
FAQs
It uses negation to deny physical limitation, indicating the Supreme is not a bodily being and cannot be confined to material organs—an apophatic way to point toward transcendence.
It suggests that even Vedic language struggles to fully capture the nature of the Supreme; words can indicate but not exhaustively define that reality.
It encourages humility in theological claims and invites contemplative practice: the Divine is to be approached with reverence, not reduced to simplistic or purely anthropomorphic descriptions.