Shloka 14
The Birth of King Pṛthu: Vena’s Fall, the Sages’ Churning, and Earth’s Surrender
स्वर्ग्यं यशस्यमायुष्यं धन्यं वेदैश्च संमितम् । रहस्यमृषिभिः प्रोक्तं प्रवक्ष्यामि द्विजोत्तमाः
svargyaṃ yaśasyamāyuṣyaṃ dhanyaṃ vedaiśca saṃmitam | rahasyamṛṣibhiḥ proktaṃ pravakṣyāmi dvijottamāḥ
二度生まれの最勝者たちよ、今、聖仙リシたちが説いた秘教を説き明かそう。それはスヴァルガへ導き、名声と長寿を授け、吉祥をもたらし、ヴェーダと調和する。
Unspecified (narrator addressing 'dvijottamāḥ')
Concept: Rahasya taught by ṛṣis, aligned with the Vedas, yields both worldly auspiciousness and otherworldly merit when approached with reverence.
Application: Begin study/recitation with humility and intention; treat daily śravaṇa as a disciplined practice that shapes conduct and steadies the mind.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A sage-narrator sits on a kusa-grass seat in a forest hermitage, addressing a semicircle of attentive dvijottamas. Palm-leaf manuscripts and a sacrificial fire glow softly as the ‘rahasya’ is about to be revealed, the air thick with sanctity and expectancy.","primary_figures":["sage narrator (Purāṇic ācārya)","dvijottamāḥ (brahmin listeners)"],"setting":"Forest āśrama with yajña-kuṇḍa, water pot, deer-skin mats, and palm-leaf granthas; distant river shimmer implied.","lighting_mood":"forest dappled","color_palette":["saffron ochre","smoke gray","leaf green","vermillion","antique gold"],"tanjore_prompt":"Tanjore painting style: a seated Purāṇic sage teaching dvijottamas in an āśrama, central fire altar with gold leaf flames, rich red and green textiles, ornate halos, gem-studded ornaments on ritual vessels, intricate border motifs of lotus and conch, luminous antique gold background.","pahari_prompt":"Pahari miniature style: delicate sage with refined features teaching a circle of brahmins, cool greens and soft browns, lyrical forest with slender trees and a small stream, subtle shading, fine linework on manuscripts and kusa mats, calm Himalayan-like atmosphere.","kerala_mural_prompt":"Kerala mural style: bold black outlines, warm yellow and red ground, sage with large expressive eyes gesturing in teaching mudrā, stylized fire altar and palm-leaf texts, flat decorative foliage, temple-wall aesthetic with rhythmic patterns.","pichwai_prompt":"Pichwai cloth painting style: devotional teaching scene framed by lotus creepers and conch motifs, deep indigo border with gold highlights, peacocks perched on vines, central sage and listeners rendered with ornate textiles, floral mandala around the fire altar."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","crackling fire","soft drone (tanpura)","forest birds","brief silence between phrases"]}
Sandhi Resolution Notes: यशस्यमायुष्यं = यशस्यम् + आयुष्यम्; वेदैश्च = वेदैः + च; रहस्यमृषिभिः = रहस्यम् + ऋषिभिः
FAQs
It presents the upcoming instruction as an authoritative “secret” tradition: beneficial in this life (fame, longevity, auspiciousness) and after death (heaven), and explicitly aligned with the Vedas.
It frames the teaching as orthodox and reliable—meant to be understood as consistent with Vedic standards rather than a merely local or speculative doctrine.
It implies that spiritual instruction is to be received with discipline and qualification—encouraging the audience to approach the teaching with learning, restraint, and responsibility.