ऊर्द्ध्वकेशीसमायुक्ताशांकरी पूर्वतः स्मृता । अधः केशी तथाग्नेय्यां चित्रघंटा च मध्यतः ॥ २४ ॥
ūrddhvakeśīsamāyuktāśāṃkarī pūrvataḥ smṛtā | adhaḥ keśī tathāgneyyāṃ citraghaṃṭā ca madhyataḥ || 24 ||
ウールドゥヴァケーシー(髪を上に立てた姿)を具えるシャーンカリーは東方にいると記憶される。アダハケーシー(髪を下に垂らす姿)もまたアグニ(南東)にあり、チトラガンターは中央に座す。
Narada (narrating/teaching within a tirtha-mahatmya description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It encodes sacred spatial order: specific Śakti-forms are assigned to precise directions and the center, indicating that worship is harmonized with cosmic orientation (dik-krama) to preserve ritual correctness and spiritual efficacy.
Bhakti here is expressed through disciplined, form-specific worship—remembering (smṛti) the deity’s name, form, and placement—so devotion becomes structured seva aligned to the deity’s prescribed manifestations.
It reflects applied ritual science—directional rules used in worship and installation (akin to kalpa/ritual procedure and traditional spatial injunctions), specifying east, the Agni quarter (south‑east), and the central position for particular divine forms.