Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
नारायणं महेशं च ब्रह्माणं भास्करं तथा । भगीरथं च नृपतिं हिमवंतं नगेश्वरम् ॥ ५४ ॥
nārāyaṇaṃ maheśaṃ ca brahmāṇaṃ bhāskaraṃ tathā | bhagīrathaṃ ca nṛpatiṃ himavaṃtaṃ nageśvaram || 54 ||
ナーラーヤナ(Nārāyaṇa)、マヘーシャ(Maheśa)、ブラフマー(Brahmā)、またバースカラ(Bhāskara、日神)を念じて敬礼し、さらに王バギーラタ(Bhagīratha)と、山々の主ヒマヴァーン(Himavān)をも想起して崇めるべし。
Narada (within a tirtha-mahatmya narration in Uttara-Bhaga)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It functions as a sacred remembrance (smaraṇa) list: invoking key cosmic deities and exemplary figures (Bhagīratha, Himavān) to sanctify tirtha-oriented practice and align the pilgrim with dharma and divine grace.
Bhakti here is expressed as reverent recollection and honoring of the Supreme (Nārāyaṇa) together with revered devas and dharmic exemplars—an inclusive devotional mood often used in tirtha-mahātmya contexts to deepen faith during pilgrimage and worship.
No specific Vedāṅga technique is taught directly; however, the verse reflects mantra-style nāma-smaraṇa (name-recitation) used in ritual contexts, aligning with practical prayoga (application) in worship and pilgrimage observances.