Saṃdhyāvalī-ākhyāna
Mohinī-parīkṣā; Dvādaśī-vrata-mahattva
हृषीकेशाय विश्वाय विश्वरूपाय ते नमः । कालनाभाय कालाय शशिसूर्य्यदृशे नमः । पूर्णाय परिसेव्याय परात्परतराय च ॥ ३९ ॥
hṛṣīkeśāya viśvāya viśvarūpāya te namaḥ | kālanābhāya kālāya śaśisūryyadṛśe namaḥ | pūrṇāya parisevyāya parātparatarāya ca || 39 ||
感官の主フリシーケーシャよ、あなたに礼拝する。あなたこそ宇宙そのものであり、あなたの御姿は全コスモスである。時の輪を臍とする御方、時そのもの、そして月と太陽のごとき眼差しの御方に礼拝する。円満具足にして、常にバクティの奉仕に値し、最高をも超える至上者に礼拝する。
Narada (stuti within the Uttara-Bhaga narrative, addressed to Vishnu)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It identifies Vishnu as both immanent and transcendent: He is the universe (viśva/viśvarūpa) and also beyond all (parātparatara). The verse trains the devotee to see cosmic forces—Time, Sun, and Moon—as expressions of the Lord, deepening surrender and non-dual devotional vision.
Bhakti here is expressed as namas (salutation) and parisevā (constant, loving service). By praising Vishnu as the Complete One and the inner ruler of Time and the luminaries, the devotee’s attention shifts from fear of change to trust in the Lord who governs all change.
The imagery of Sun and Moon and the principle of Kāla connects to Jyotiṣa (Vedāṅga astrology/astronomy) as markers of time and cosmic order; the verse reframes them devotionally as instruments and manifestations of Vishnu, supporting ritual timing and sacred observance with God-centered understanding.