Anadhyaya and the Winds: From Vedic Recitation Protocol to Sanatkumara’s Moksha-Upadesha
उभे सत्यानृते बुद्धिं परमनिश्चयात् । अस्थिस्थूणं स्नायुयुतं मांसशोणितलेपनम् ॥ ७७ ॥
ubhe satyānṛte buddhiṃ paramaniścayāt | asthisthūṇaṃ snāyuyutaṃ māṃsaśoṇitalepanam || 77 ||
最上の確信をもって、真と不真を等しく心の観念にすぎぬと見よ。この身はただ骨の柱、腱に結ばれ、肉と血で塗り固められたもの。
Sanatkumāra (teaching Nārada in the Mokṣa-dharma dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bibhatsa
It sharpens ātma-viveka (discernment) by collapsing attachment to mental labels like “true/false” and by exposing the body as a perishable assemblage—supporting dispassion (vairāgya) and the turn toward the Self.
By reducing bodily identification and rigid mental judgments, the practitioner becomes inwardly free and fit for steady devotion—bhakti becomes less ego-driven and more single-pointed toward the Lord beyond transient body and opinion.
No specific Vedāṅga technique is taught in this verse; the practical takeaway is sādhana-oriented: cultivate niścaya (firm conviction) and vairāgya by contemplating the body’s material composition.