Anadhyaya and the Winds: From Vedic Recitation Protocol to Sanatkumara’s Moksha-Upadesha
क्षमारित्रां सत्यमयीं धर्मस्थैर्यकराकराम् । त्यागवाताध्वगां शीघ्रां बुद्धिनावं नदीं तरेत् ॥ ७५ ॥
kṣamāritrāṃ satyamayīṃ dharmasthairyakarākarām | tyāgavātādhvagāṃ śīghrāṃ buddhināvaṃ nadīṃ taret || 75 ||
識別の智慧という舟に乗り、赦しを舵とし、真実を本質として、ダルマを堅く支える。その舟を離欲の風が速やかに押し進めるとき、輪廻の川を渡るべし。
Sanatkumara (teaching Narada in Moksha-Dharma context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
It presents a moksha-oriented metaphor: saṃsāra is a river, and liberation is reached by boarding the “boat” of buddhi (clear discernment), guided by forgiveness and truth, stabilized by dharma, and powered by renunciation.
While not naming a deity here, it lays the ethical and inner disciplines that make bhakti steady: truthfulness, forgiveness, and dharma-supporting conduct, strengthened by tyāga (letting go of ego and attachment), which allows devotion to mature into liberating wisdom.
No specific Vedanga (like Vyākaraṇa, Jyotiṣa, or Kalpa) is taught in this verse; instead it emphasizes practical dharma-sādhana—cultivating kṣamā, satya, and tyāga as applied disciplines that support moksha.