Śuka’s Origin, Mastery of Śāstra, and Testing at Janaka’s Court
स तामप्सरसं दृष्ट्वा रूपेणान्येनसंवृताम् । स्मरराजेनानुगतः सर्वगात्रातिगेन ह ॥ २२ ॥
sa tāmapsarasaṃ dṛṣṭvā rūpeṇānyenasaṃvṛtām | smararājenānugataḥ sarvagātrātigena ha || 22 ||
別の姿に身を隠したその天女を見たとき、彼は欲の王カーマ(スマラ)に追い立てられ、その力はたちまち全身の肢体に行き渡った。
Narada (narrative voice within the Moksha-Dharma discourse, traditionally relayed in dialogue with Sanatkumara)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: raudra
It highlights how desire (Kāma/Smara) can seize a person the moment the mind engages with an alluring appearance, stressing vigilance and detachment as foundations for mokṣa.
By showing the speed with which kāma spreads through the senses, it implicitly points to bhakti as a counter-force: keeping the mind absorbed in the Lord rather than in attractive forms.
No specific Vedāṅga is taught directly; the practical takeaway is psychological discipline (indriya-nigraha and manonigraha) used in dharma and yoga-oriented practice.