Chandas: Varṇa-gaṇas, Guru-Laghu, Vṛtta-bheda, and Prastāra Procedures
इत्येतत्किंचिदाख्यातं लक्षणं छंदसां नुने । प्रस्तारोक्तप्रभेदानां नामानांस्त्यं प्रगाहते ॥ २१ ॥
ityetatkiṃcidākhyātaṃ lakṣaṇaṃ chaṃdasāṃ nune | prastāroktaprabhedānāṃ nāmānāṃstyaṃ pragāhate || 21 ||
かくして、ヴェーダの韻律(チャンダス)の相(しるし)を、いま簡略に説き明かした。次いで、プラスタ―ラ(韻律の体系的配列・変換)によって述べられる諸分類の、定まった名称を示そう。
Sanatkumara (in dialogue instruction to Narada on technical knowledge, including chandas)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It frames sacred knowledge as orderly and transmissible: even technical Vedanga topics like Chandas are taught with clear lakṣaṇas (definitions) and authoritative naming, supporting accurate preservation and recitation of Vedic wisdom.
Indirectly: correct metre and recitation protect the integrity of hymns and praises used in worship; by promising the proper names and classifications, the teacher safeguards disciplined śravaṇa and kīrtana grounded in accurate Vedic sound.
Chandas (Vedic prosody), specifically the prastāra method—systematic permutation/arrangement used to enumerate and classify metrical patterns and their standard names.